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DTSTART;TZID=UTC:20220401T170000
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SUMMARY:Distinguished Speaker Series: Cuauhtémoc Medina\, "Designing an Era: Vicente Rojo’s Role in Mexican Culture"
DESCRIPTION:Cuauhtémoc Medina\nDesigning an Era: Vicente Rojo’s Role in Mexican Culture \nRegistration Link: https://bit.ly/3I4mppE \nMexicans from the second half of the 20th century were likely to have found a common element in the identity of the posters\, book covers and cultural supplements and magazines they consumed: most of them were likely to have been designed by the same hand: painter\, designer and editor Vicente Rojo (1932-2021). Few times in history\, a single person has been so influential in creating the visual culture of an era\, as Rojo was for Mexican culture. Vicente Rojo\, a Catalan emigré that moved to Mexico in 1949 escaping from Franco’s dictatorship in Spain\, conceived graphic design as a form of cultural service\, radically opposed to his devotion to abstract painting that he understood as a radically non-committed and personal practice. This talk will examine Vicente Rojo´s leading role as the provider of an aesthetic semblance for dominant Mexican modern culture\, the distant dialogue between his painting and design\, with particular emphasis in his artist books collaborations with writers such as Octavio Paz\, José Emilio Pacheco or José Miguel Ullan. \n  \nCuauhtémoc Medina (Mexico City\, December 5\, 1965) \nArt critic\, curator\, and historian holds a Ph.D. in History and Theory of Art from the University of Essex in Britain. Since 1993 he has been a full-time researcher at the Instituto de Investigaciones Estéticas at the National Autonomous University of Mexico (UNAM) and between 2002 and 2008 was the first Associate Curator of Art Latin American Collections at the Tate Modern. He is currently Chief Curator at the MUAC Museum in Mexico City. \nIn 2012\, Medina was Head Curator of the Manifesta 9 Biennial in Genk\, Belgium\, titled The Deep of the Modern\, in association with Katerina Gregos and Dawn Ades. In 2018 he was chief curator of the 12th Shanghai Biennial titled “Progress. Art in the age of historical ambivalence” at the Power Station of Art. \nIn 2012 he became the sixth recipient of the Walter Hopps Award for Curatorial Achievement of the Menil Foundation. Among many publications\, he has recently published a collection of his essays on Mexican art titled: Abuso Mutuo (Mutual Abuse)\, RM and Cubo Blanco\, 2017 and the book Olinka: El sueño del Dr. Atl in 2019. \n 
URL:https://sites.rutgers.edu/ahgso/event/distinguished-speaker-series-cuauhtemoc-medina-designing-an-era-vicente-rojos-role-in-mexican-culture/
CATEGORIES:Distinguished Speaker Series
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DTSTART;TZID=UTC:20220420T140000
DTEND;TZID=UTC:20220420T160000
DTSTAMP:20260504T140306
CREATED:20220409T124414Z
LAST-MODIFIED:20220409T130858Z
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SUMMARY:In Conversation: Korean Textiles Arts with Dr. Minjee Kim & Youngmin Lee
DESCRIPTION:“In Conversation: Korean Textile Arts” brings together two good friends\, Youngmin Lee\, a Korean textile artist\, and Dr. Minjee Kim\, a researcher on Korean historical dress\, to discuss the intimate connections between the production of hanbok and Korean textile arts such as bojagi. \n  \nWhen: April 20\, 2022 from 2 – 4 PM EDT \nPlease register in advance using the following link: https://rutgers.zoom.us/meeting/register/tJ0vfuysrD8pHdXxJkrVesQXMX0ryBv0sTUc \n 
URL:https://sites.rutgers.edu/ahgso/event/in-conversation-korean-textiles-arts-with-dr-minjee-kim-youngmin-lee/
CATEGORIES:Public Events
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DTSTART;TZID=UTC:20220422T100000
DTEND;TZID=UTC:20220422T180000
DTSTAMP:20260504T140306
CREATED:20211122T222509Z
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SUMMARY:Annual Symposium: "Translating Home: Views From the Diaspora"
DESCRIPTION:Translating Home: Views From the Diaspora \n12th Annual Art History Graduate Student Symposium   \nOrganized by the Rutgers University Art History Graduate Student Organization (AHGSO)\, Cosponsored by Rutgers Global Asias \nSymposium Date: April 22nd\, 2022\, via Zoom  \nKeynote Speaker: Emily Hue\, Assistant Professor of Ethnic Studies at the University of California\, Riverside  \nThe concept of home is unstable\, bearing countless interpretations of physical and abstract places.  Diasporic and transnational identities are particularly susceptible to the uneasy tension produced by slippages of stable meaning. Framed around both the abstract and material notion of home\, Translating  Home: Views From the Diaspora aims to interpret practices that span borders\, fostering discussion that marks the complexity of real and lived experiences of those working in a transnational context.  \nPlease register using the following link: https://rutgers.zoom.us/meeting/register/tJYof–prT8pGdRI2_zttrNGD1UnVcHHYA19 \n  \nSymposium Program:\nWelcome 10:15am-10:30am \n\n10:30 am – 12:15 pm | Session 1: Undefined Geographies  \nAisha Lovise Maud Bornø\, University of Cambridge: Homecoming: The exhibition Eight Scandinavian Cubists and Scandinavian women artists’ efforts to negotiate their return from Paris \nJennifer Sales\, University of Texas\, Austin: Rituals of Forgetting: Paulo Nazareth and Black Collective Memory  \nKit Bernal\, University of Denver: Gelare Khoshgozaran: Constructed Places \n\nBreak 12:15-12:30am \n\n12:30 am – 2:15 pm | Session 2: New Forms of Knowledge \nTess McCoy\, Florida State University: The Warriors’ Circle of Honor: Visualizing Native (American) Narratives \nMaría Fernanda Mancera\, Tufts University: Reclaiming Indigenous sovereignty and relational knowledge: Coming to Terms with Edgar Calel’s The Echo of an Ancient Form of Knowledge (Ru k’ ox k’ob’el jun ojer etemab’el) \nMadalen Claire Benson\, University of California\, Santa Cruz: The Hunt: Local Embodied Knowledge as an Assertion of Rights in Duane Linklater and Brian Jungen’s Film “Modest Livelihood” \nKathryn Cua\, School of the Art Institute of Chicago: Matt Manalo and the Renunciation of White Love \n\nBreak 2:15-2:30pm \n\n2:30-4:15 pm | Session 3: In Betweenness\, unstable identities \nJacob Zhicheng Zhang\, School of the Art Institute of Chicago: A Diasporic Artist’s Performance of Passing: Dissecting Tseng Kwong Chi’s Appropriation of the Mao Suit  \nHamutal Sadan\, Tel Aviv University: Transitional Art: Be(coming)-Asylum Seeker: The Art of African Asylum seekers and refugees in Israel \nEmma Oslé\, Rutgers University: An Examination of “In-Betweenness”: Borders\, Racial Divisions\, and the Indigenous Diaspora  \nMariann Farkas\, Bar-Ilan University: Hungarian Israeli Artists in Quest of Identity \n\nBreak 4:15-4:30 pm \n\n4:30-6pm | Keynote: Emily Hue
URL:https://sites.rutgers.edu/ahgso/event/annual-symposium-translating-home-views-from-the-diaspora/
CATEGORIES:Annual Symposium
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