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Articles in Peer-Reviewed Journals

  • “Masculinity, Violence, and Soccer Chants: The Sonic Potentials of Participatory Sounding-In-Synchrony.” Ethnomusicology 62, no. 3 (2018): 470–499
    Recepient of the honorable mention for the 2019 Marcia Herndon Award, Society for Ethnomusicology’s Section on Gender and Sexualities (SEM-GST).
  • “Electroacoustic Music at CLAEM: A Pioneer Studio in Latin America.” Journal of the Society for American Music 12, no.2 (2018): 179–212
  • “The Rockefeller Foundation and Latin American Music in the 1960s: The Creation of Indiana University’s LAMC and Di Tella Institute’s CLAEM.” American Music 35, no. 1 (2017): 51–74
  • “El compositor uruguayo Coriún Aharonián: música, ideología y el rol del compositor en la sociedad.” Latin American Music Review 34 (2013): 254–285
  • “Austeridad, sintaxis no-discursiva y microprocesos en la obra de Coriún Aharonián.” Revista de música, artes visuales y artes escénicas 1 (2005): 23–65

 

Reviews

  • Review of Alberto Ginastera in Switzerland: Essays and Documents edited by Angela Ida De Benedictis, and Felix Meyer (London: Paul Sacher Stiftung and Boosey and Hawkes, 2016). Latin American Music Review 40/2 (2019): 224–226\
  • Review of Representing the Good Neighbor: Music, Difference, and the Pan American Dream by Carol Hess (Oxford University Press, 2013) and Sounds of War: Music in the United States during World War II by Annegret Fauser (Oxford University Press, 2013).Journal of the Society for American Music 10/1 (2016): 91–97
  • Review of Brazilian Popular Music and Citizenship, edited by Idelber Avelar and Christopher Dunn (Duke University Press, 2011). Ameriquests 9 (2012). URL: http://ejournals.library.vanderbilt.edu/ojs/index.php/ameriquests/article/view/3648/1762

Encyclopedia Entries

  • “Argentina’s Centro Latinoamerican de Altos Estudios Musicales (CLAEM), the Rockefeller Foundation, and the Cold War,” Oxford Research Encyclopedia of Latin American History, edited by William Beezley (New York, Oxford University Press: under contract).
  • “Nationalism and Music in Latin America,” “Universalism and Music in Latin America.” “Coriún Aharonián,” “Di Tella Institute,” In Routledge Encyclopedia of Modernism. Routledge, 2016
  • “Carlos Chávez.” In Musicians and Composers of the 20th Century (Pasadena, CA: Salem Press, 2009): 233–237

Articles in Non-Peer-Reviewed Journals

  • “Pensar los compositores latinoamericanos del final del siglo veinte y primeras décadas del veintiuno desde una perspectiva poscolonial.” Pauta 32, no. 135 (2015): 44–57

Electronic Publications (Non-Peer-Reviewed)

  • “Latin American Music as American Music.” Bulletin of the Society for American Music 42, no. 3 (2016) (Forum for Early Career Professionals). https://cdn.ymaws.com/www.american-music.org/resource/resmgr/docs/bulletin/vol423.pdf
  • “Pensar los compositores latinoamericanos del final del siglo veinte y primeras décadas del veintiuno desde una perspectiva poscolonial.” Latinoamerica música (online journal, 2015). URL: http://www.latinoamerica-musica.net/sociedad/sitio-Herrera-final.pdf (10 pages, publication is permanently archived)
  • “Informe sobre el Festival Internacional La música en el Di Tella: Resonancias de la modernidad, Buenos Aires, 17 a 24 de junio, 2011.” Latinoamerica música (online journal, 2011). URL: http://www.latinoamerica-musica.net/pdf/sitio-Herrera,final.pdf (13 pages, publication is permanently archived)