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PRODID:-//Islam, the Humanities and the Human - ECPv6.7.0//NONSGML v1.0//EN
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X-WR-CALNAME:Islam, the Humanities and the Human
X-ORIGINAL-URL:https://sites.rutgers.edu/islam-humanities
X-WR-CALDESC:Events for Islam, the Humanities and the Human
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BEGIN:VTIMEZONE
TZID:UTC
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TZOFFSETFROM:+0000
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TZNAME:UTC
DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20231011T143000
DTEND;TZID=UTC:20231011T160000
DTSTAMP:20260420T064347
CREATED:20230828T135359Z
LAST-MODIFIED:20231029T121943Z
UID:845-1697034600-1697040000@sites.rutgers.edu
SUMMARY:Fantasmic Objects: Art and Sociality from Lebanon\, 1920-1950
DESCRIPTION:In Fantasmic Objects\, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi\, forefathers of an iconic national repertoire\, and their rebellious student Saloua Raouda Choucair\, founder of an antirepresentational\, participatory art\, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition\, pedagogical\, and art-writing practices. She reveals that art and artists helped found the nation during French occupation\, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity\, patriotic femininity\, non-sectarian religiosity\, and citizenship. \n  \nRegister for Webinar \nhttps://rutgers.zoom.us/webinar/register/WN_SJSeXOaaQf-WYMZscrFYBg#/registration \n \n 
URL:https://sites.rutgers.edu/islam-humanities/event/fantasmic-objects-art-and-sociality-from-lebanon-1920-1950/
LOCATION:Hahne 322
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