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X-ORIGINAL-URL:https://sites.rutgers.edu/islam-humanities
X-WR-CALDESC:Events for Islam, the Humanities and the Human
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260416T100000
DTEND;TZID=UTC:20260416T113000
DTSTAMP:20260730T114951
CREATED:20260304T014540Z
LAST-MODIFIED:20260304T014540Z
UID:1127-1776333600-1776339000@sites.rutgers.edu
SUMMARY:Friendship and Control: Impersonal Feminism in the Mirrors of Monir Shahroudy Farmanfarmaian
DESCRIPTION:In the late 1950s\, Monir Shahroudy Farmanfarmaian returned to Iran after more than a decade in the United States\, where she studied at Parsons School of Design and worked as an artist and layout designer at a now-defunct luxury department store\, Bonwit Teller. Soon after her return\, she joined the Point Four Program\, launched by the US president Harry S. Truman to provide technical and economic assistance to developing countries. There\, she helped traditional craftspeople in rapidly depopulating rural and tribal regions find new markets in Tehran and abroad—effectively acting as an agent of capitalism. Her engagement with Islamic craft also reshaped her artistic practice. Beginning in the early 1970s\, she incorporated mirror mosaic—a decorative element of Iranian palatial and religious architecture since the seventeenth century—into modern sculptures\, executed with the assistance of artisans. Her collaborations with artisans can be read as a form of wage labor that reduces the artisan to a manual extension of the artist’s vision. Yet how did these male artisans understand the gendered and classed dynamics of their work with her? And what do the mirror works themselves reveal about the tension between freedom and subjugation in her practice? This talk argues that Shahroudy Farmanfarmaian’s mirror works operate with a notion of power in which love and authority collapse into a single relational act. \nHamed Yousefi is an art historian focusing on the intersection of Islam and modern art. His work draws on Islamic theories of the image to rethink modernism beyond Eurocentric assumptions that conflate the modern with the secular. He is currently a Klarman Postdoctoral Fellow at Cornell University\, and the incoming Assistant Professor of Islamic Art History at Oberlin College. Yousefi received his PhD from Northwestern University in 2025. \n 
URL:https://sites.rutgers.edu/islam-humanities/event/friendship-and-control-impersonal-feminism-in-the-mirrors-of-monir-shahroudy-farmanfarmaian/
LOCATION:Warren 312
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260312T100000
DTEND;TZID=UTC:20260312T113000
DTSTAMP:20260730T114951
CREATED:20260302T025834Z
LAST-MODIFIED:20260302T025834Z
UID:1123-1773309600-1773315000@sites.rutgers.edu
SUMMARY:An Epic of Martyrs: Revolutionary Images and Muslim Mythologies in 1960s Iraq
DESCRIPTION:In the immediate aftermath of the 1963 Iraqi Ba’ath Party-led coup d’état of the Republic of Iraq and assassination of its democratically elected Prime Minister\, Abd al-Karim Qasim\, several prominent artists began producing new artworks and public art exhibitions. Iraqi artists drew upon transnational anticolonial symbols and common motifs of the heroic worker\, farmer\, and revolutionary to visualize collective solidarity and resistance against the new regime. Yet these new artistic activities also began incorporating representations and materials drawn specifically from Islamic religious traditions. The activation of historically religious content into contemporary artworks reveals how anti-authoritarian political resistance increasingly comingled with new heroic mythologies in the 1960s Islamic World. \nWith Elizabeth Rauh\, American University of Cairo
URL:https://sites.rutgers.edu/islam-humanities/event/an-epic-of-martyrs-revolutionary-images-and-muslim-mythologies-in-1960s-iraq/
LOCATION:Warren 312
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260309T173000
DTEND;TZID=UTC:20260309T190000
DTSTAMP:20260730T114951
CREATED:20260222T205758Z
LAST-MODIFIED:20260222T211418Z
UID:1103-1773077400-1773082800@sites.rutgers.edu
SUMMARY:Filling the Head: Listening to Rap in Arabic
DESCRIPTION:In this ethnography\, El Zein listens to the experiences of rappers and their audiences in Amman\, Beirut\, and Ramallah as they search for ways to engage the political beyond the framework of resistance. Her recently published book\, Filling the Head: Listening to Rap in Arabic\, theorizes an interdisciplinary approach to political agency rooted the feeling of yearning for a new model of recognition. \nDr. Rayya El Zein is an independent researcher. Her writings explore return\, yearning\, and other frameworks of belonging and becoming. She holds a PhD in theatre and performance studies from the Graduate Center\, CUNY.
URL:https://sites.rutgers.edu/islam-humanities/event/filling-the-head-listening-to-rap-in-arabic/
LOCATION:Hill Hall 215
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260304T143000
DTEND;TZID=UTC:20260304T160000
DTSTAMP:20260730T114951
CREATED:20260217T160054Z
LAST-MODIFIED:20260217T160054Z
UID:1098-1772634600-1772640000@sites.rutgers.edu
SUMMARY:Book Talk: Dust That Never Settles: Literary Afterlives of the Iran-Iraq War
DESCRIPTION:Join us for a conversation about Dr. Amir Moosavi’s recently published book Dust That Never Settles: Literary Afterlives of the Iran-Iraq War. The book is the first comparative study of Arabic and Persian literature from the Iran-Iraq War (1980-1988). It traces the ways in which writers from both countries have wrestled with state-sponsored narratives of war from 1980 until the present moment\, transforming war literature from propaganda to narratives of resistance against authoritarian regimes\, their legacies\, and their present politics. \nSpeakers: \nAmir Moosavi (Rutgers-Newark) \nFatemeh Shams (University of Pennsylvania) \nKhaled Al Hilli (New York University) \nZahra Ali (Rutgers-Newark)
URL:https://sites.rutgers.edu/islam-humanities/event/book-talk-dust-that-never-settles-literary-afterlives-of-the-iran-iraq-war/
LOCATION:Dana Room\, Dana Library
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260209T113000
DTEND;TZID=UTC:20260209T130000
DTSTAMP:20260730T114951
CREATED:20260203T002119Z
LAST-MODIFIED:20260222T210728Z
UID:1092-1770636600-1770642000@sites.rutgers.edu
SUMMARY:BEFORE & AFTER: Four Vignettes of Palestinian Art History Spanning the Nakba
DESCRIPTION:The Nakba of 1948 is often narrativized as a massive break in Palestinian cultural production. In this presentation\, Drs. Ari and Amin will bring nuance to this idea through comparative studies of art made before and after the historical catastrophe. How did iconographies of Palestinian nationalism change over the course of the century? What shifting pressures did artists negotiate in representing their personal and collective experiences? What throughlines can we identify? Through four vignettes\, the speakers will provide a window onto the diversity of Palestinian visual culture during the long twentieth century. \nWatch the recording here
URL:https://sites.rutgers.edu/islam-humanities/event/before-after-four-vignettes-of-palestinian-art-history-spanning-the-nakba/
LOCATION:Smith Hall 241
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251208T113000
DTEND;TZID=UTC:20251208T130000
DTSTAMP:20260730T114951
CREATED:20251118T003453Z
LAST-MODIFIED:20251118T003453Z
UID:1030-1765193400-1765198800@sites.rutgers.edu
SUMMARY:Culture Beyond County: Strategies of Inclusion in the Global Iranian Diaspora
DESCRIPTION:The Iranian diaspora\, estimated at 5 to 8 million people worldwide\, has become increasingly visible\, especially in North America and Europe. In response to misrepresentation and marginalization\, many have turned to cultural work to reshape public narratives and claim space for more accurate and diverse expressions of Iranian identity. Drawing on 16 years of ethnographic fieldwork and over 125 interviews in Los Angeles\, Stockholm\, and Toronto\, Culture Beyond Country examines how community organizers\, artists\, and entrepreneurs navigate belonging under different state policies and local dynamics. The book shows how these cultural efforts both challenge and reproduce power structures\, revealing ongoing debates over who gets to represent Iranian culture and what it means to be Iranian in the diaspora. \nAmy Malek is a sociocultural anthropologist specializing in the intersections of migration\, citizenship\, memory\, and culture in the Iranian diaspora. She is Associate Professor of Anthropology and American Studies at William & Mary. Her research investigates how immigrants and their descendants actively construct cultural belonging and navigate the constraints and possibilities shaped by state projects\, market logics\, racial formations\, and digital technologies. Her scholarship has been published in a wide variety of interdisciplinary journals\, such as Memory Studies\, the International Journal of Cultural Studies\, and Iranian Studies. Her new book\, Culture Beyond Country: Strategies of Inclusion in the Global Iranian Diaspora\, is forthcoming from New York University Press and is a transnational ethnography of the impacts of cultural policies on diasporic Iranian communities in Sweden\, Canada\, and the United States. 
URL:https://sites.rutgers.edu/islam-humanities/event/culture-beyond-county-strategies-of-inclusion-in-the-global-iranian-diaspora/
LOCATION:PRCC Essex Central 232
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251204T113000
DTEND;TZID=UTC:20251204T130000
DTSTAMP:20260730T114951
CREATED:20251118T003139Z
LAST-MODIFIED:20251202T194543Z
UID:1026-1764847800-1764853200@sites.rutgers.edu
SUMMARY:West African Cairo: Knowledge\, Pilgrimage\, and the History of Egyptian-West African Relations
DESCRIPTION:From the era of the Mamluk Sultanate to the age of jet travel\, Cairo has long served as an important hub of West African migration. Whether as a stop on the hajj to Mecca or as a final destination\, multiple West African communities have made Cairo home. This talk will explore the significance of nearly a millennium of connections that have shaped the history of both Cairo and the Islamic world as a whole. \nJeremy Dell is a scholar of African global history with a specialisation in the history of Islam in the Western Sahel and interests in the intersecting histories of Sufism\, Islamic law\, and the global history of the book. His current book project\, Saving Tradition: Archiving Islam in the Western Sahel\, explores the history of collecting and preserving Arabic manuscripts amidst social and political upheaval in the West African countries of Senegal and Mali. He holds a doctorate in History from the University of Pennsylvania and has had significant research and language-training stints in Senegal\, Mali\, and Egypt.
URL:https://sites.rutgers.edu/islam-humanities/event/west-african-cairo-knowledge-pilgrimage-and-the-history-of-egyptian-west-african-relations/
LOCATION:Warren 403
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251119T143000
DTEND;TZID=UTC:20251119T160000
DTSTAMP:20260730T114951
CREATED:20251112T180509Z
LAST-MODIFIED:20251112T180556Z
UID:1020-1763562600-1763568000@sites.rutgers.edu
SUMMARY:Small Acts of Resistance: The Films of Jafar Panahi
DESCRIPTION:Since the 1990s\, Jafar Panahi has been a central figure in contemporary Iranian cinema and one of its most acclaimed voices on the global stage. A master of the semi-documentary form\, Panahi has captured the spirit and texture of Tehran with a rare intimacy and precision. Even after receiving a draconian sentence that placed him under house arrest and banned him from filmmaking\, Panahi refused to turn off his camera. He transformed his confinement into creative opportunity by turning his own apartment into a film set and making his restricted access to the city a central theme of his work.\nMany of the recurring threads in his cinema culminate in his latest film\, It Was Just an Accident (2025)\, which won the Palme d’or among many other prestigious awards. Timed with the U.S. release of the film in October 2025\, this talk offers an overview of Panahi’s career\, with a particular focus on the formal and thematic innovations of his most recent work. \n 
URL:https://sites.rutgers.edu/islam-humanities/event/small-acts-of-resistance-the-films-of-jafar-panahi/
LOCATION:Boyden 100
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251113T100000
DTEND;TZID=UTC:20251113T113000
DTSTAMP:20260730T114951
CREATED:20251023T003325Z
LAST-MODIFIED:20251023T004026Z
UID:987-1763028000-1763033400@sites.rutgers.edu
SUMMARY:Book Talk: Building Local Support: Architectural Patronage for Multiconfessional Communities in Ottoman Greece and Albania
DESCRIPTION:In the early nineteenth century\, some of the most consequential developments in Ottoman architecture unfolded not in Istanbul but on the empire’s frontier. This talk explores the ambitious building program of Ali Pasha of Ioannina (r. 1788–1822)\, the renegade governor of Greece and Albania whose architectural patronage ranged from mosques to dervish lodges and even Orthodox Christian monasteries. Drawing on extensive fieldwork and archival sources\, we will explore how Ali Pasha’s constructions redefined the sociopolitical order by challenging imperial norms of patronage and consolidating regional authority. His unprecedented support for multiple faith traditions reveals how architecture became a powerful tool of negotiation in a diverse\, contested landscape.
URL:https://sites.rutgers.edu/islam-humanities/event/book-talk-building-local-support-architectural-patronage-for-multiconfessional-communities-in-ottoman-greece-and-albania/
LOCATION:Warren 312
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251017
DTEND;VALUE=DATE:20251019
DTSTAMP:20260730T114951
CREATED:20250818T175839Z
LAST-MODIFIED:20250914T025606Z
UID:923-1760659200-1760831999@sites.rutgers.edu
SUMMARY:Workshop: Race and Gender in Islamic Art
DESCRIPTION:The Race and Gender in Islamic Art Workshop brings together a group of scholars who seek to acknowledge the ways in which race and gender converge and jointly impact codes of representation in Islamic image-making practices over the centuries. Exploring the artistic traditions of the lands of Islam writ large—from the Middle East to the United States and from the medieval period to today—the workshop addresses how the visual cultures of the Islamic world can help expand\, refine\, and problematize the intersections of race and gender beyond Euro-American spheres. \n\n\n\n\n\n\nOrganized by Christiane Gruber\, Holley Ledbetter\, and Alex Dika Seggerman \nParticipants: \nMichelle Al-Ferzly\nSascha Crasnow\nAshley M. Dimmig\nMelanie Gibson\nChristiane Gruber\nNegar Habibi\nHolley Ledbetter\nNancy Micklewright\nMika Natif\nAlex Dika Seggerman\nSandra Williams
URL:https://sites.rutgers.edu/islam-humanities/event/workshop-race-and-gender-in-islamic-art/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251016T100000
DTEND;TZID=UTC:20251016T113000
DTSTAMP:20260730T114951
CREATED:20250818T175438Z
LAST-MODIFIED:20251001T201322Z
UID:920-1760608800-1760614200@sites.rutgers.edu
SUMMARY:The Metaverse and its Premoderns: Islam in an Expanding Reality
DESCRIPTION:  \n  \n \n  \nIn February 2022\, Turkey’s Directorate of Religious Affairs landed in the news when it announced that performing the pilgrimage to Mecca in the Metaverse does not count as a ‘real hajj’. Mixed reactions to this declaration aside\, this talk argues that\, in the Metaverse era\, the existence of a visible but immaterial realm is not just avant-garde\, post-modern\, or\, worse\, a ‘blameworthy innovation’. Instead\, today’s Muslim imaginary worlds draw upon and find echoes in premodern Islamic artworks\, objects\, and other forms of creative expression. The Metaverse also recalls the so-called ‘realm of similitudes’ (‘alam al-mithal) developed in historical Islamic dream thought\, whose definitional contours and imagistic boundaries vary and enlarge over time. Such changes occur not only in the minds of spiritual sojourners\, but also through technological innovations\, all of which converge today to craft immersive worlds that reaffirm a historical past\, play with forms in the present\, and project poetic visions of what might come next. \n  \nRegister for Webinar
URL:https://sites.rutgers.edu/islam-humanities/event/the-metaverse-and-its-premoderns-islam-in-an-expanding-reality/
LOCATION:Warren 312
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251008T143000
DTEND;TZID=UTC:20251008T155000
DTSTAMP:20260730T114951
CREATED:20251001T201225Z
LAST-MODIFIED:20251001T201300Z
UID:980-1759933800-1759938600@sites.rutgers.edu
SUMMARY:The Dawn is Too Far : Film Screening + Q&A
DESCRIPTION:The Dawn is Too Far shares a multi-generational perspective of those who came as students\, refugees\, and exiles to the U.S.\, particularly in the context of the 1979 Iranian Revolution. This film charts the longer history of Iranian Americans in the San Francisco Bay area and the ways they have been impacted and contributed to this region. \nFollowed by a Q&A session with director Dr. Persis Karim.
URL:https://sites.rutgers.edu/islam-humanities/event/the-dawn-is-too-far-film-screening-qa/
LOCATION:PRCC Essex Room
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231011T143000
DTEND;TZID=UTC:20231011T160000
DTSTAMP:20260730T114951
CREATED:20230828T135359Z
LAST-MODIFIED:20231029T121943Z
UID:845-1697034600-1697040000@sites.rutgers.edu
SUMMARY:Fantasmic Objects: Art and Sociality from Lebanon\, 1920-1950
DESCRIPTION:In Fantasmic Objects\, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi\, forefathers of an iconic national repertoire\, and their rebellious student Saloua Raouda Choucair\, founder of an antirepresentational\, participatory art\, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition\, pedagogical\, and art-writing practices. She reveals that art and artists helped found the nation during French occupation\, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity\, patriotic femininity\, non-sectarian religiosity\, and citizenship. \n  \nRegister for Webinar \nhttps://rutgers.zoom.us/webinar/register/WN_SJSeXOaaQf-WYMZscrFYBg#/registration \n \n 
URL:https://sites.rutgers.edu/islam-humanities/event/fantasmic-objects-art-and-sociality-from-lebanon-1920-1950/
LOCATION:Hahne 322
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230927T100000
DTEND;TZID=UTC:20230927T113000
DTSTAMP:20260730T114951
CREATED:20230907T122638Z
LAST-MODIFIED:20230918T164705Z
UID:855-1695808800-1695814200@sites.rutgers.edu
SUMMARY:Playing for Time:  One Thousand and One Nights
DESCRIPTION:One Thousand and One Nights is a work made of and by translation. The earliest Arabic fragments are already translations of an earlier Persian work\, which borrowed in turn from stories of ancient India. The Arabic text itself is not stable: many different versions have proliferated over the centuries. The work’s authors are unknown\, but its translators (a “hostile dynasty”\, in Borges’ phrase) have made frequent and dramatic authorial interventions. Yasmine Seale will discuss the layered history of the Nights and how to approach a text which seems to defy the very idea of an “original”. \n 
URL:https://sites.rutgers.edu/islam-humanities/event/playing-for-time-one-thousand-and-one-nights/
LOCATION:Conklin 445
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230424T113000
DTEND;TZID=UTC:20230424T123000
DTSTAMP:20260730T114951
CREATED:20230419T032700Z
LAST-MODIFIED:20230419T032700Z
UID:839-1682335800-1682339400@sites.rutgers.edu
SUMMARY:Exploring Urban and Youth Politics in Amman\, Jordan through Graffiti
DESCRIPTION:
URL:https://sites.rutgers.edu/islam-humanities/event/exploring-urban-and-youth-politics-in-amman-jordan-through-graffiti/
LOCATION:Hill Hall 216
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230330T143000
DTEND;TZID=UTC:20230330T160000
DTSTAMP:20260730T114951
CREATED:20230317T010651Z
LAST-MODIFIED:20230320T200138Z
UID:829-1680186600-1680192000@sites.rutgers.edu
SUMMARY:The Wolf King: Reflections on Religion and Power in al-Andalus
DESCRIPTION:
URL:https://sites.rutgers.edu/islam-humanities/event/the-wolf-king-reflections-on-religion-and-power-in-al-andalus/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230310T123000
DTEND;TZID=UTC:20230310T140000
DTSTAMP:20260730T114951
CREATED:20230130T154954Z
LAST-MODIFIED:20230201T144410Z
UID:791-1678451400-1678456800@sites.rutgers.edu
SUMMARY:Ghosts\, Failures and Other Lives of Early Photographs in Senegal
DESCRIPTION:
URL:https://sites.rutgers.edu/islam-humanities/event/ghosts-failures-and-other-lives-of-early-photographs-in-senegal/
LOCATION:Hahne 421
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230201T143000
DTEND;TZID=UTC:20230201T153000
DTSTAMP:20260730T114951
CREATED:20230130T155519Z
LAST-MODIFIED:20230204T191857Z
UID:794-1675261800-1675265400@sites.rutgers.edu
SUMMARY:Book Talk with Dr. Moradian
DESCRIPTION:   
URL:https://sites.rutgers.edu/islam-humanities/event/book-talk-with-dr-moradian/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221208
DTEND;VALUE=DATE:20221209
DTSTAMP:20260730T114951
CREATED:20221117T212115Z
LAST-MODIFIED:20221117T212348Z
UID:782-1670457600-1670543999@sites.rutgers.edu
SUMMARY:Apocalyptic Tales From Iraq
DESCRIPTION: 
URL:https://sites.rutgers.edu/islam-humanities/event/782/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221027T113000
DTEND;TZID=UTC:20221027T113000
DTSTAMP:20260730T114951
CREATED:20221005T221200Z
LAST-MODIFIED:20221005T221920Z
UID:775-1666870200-1666870200@sites.rutgers.edu
SUMMARY:The Trials and Jubilations of Translating Arabic Literature
DESCRIPTION:Register in advance for this webinar: \n https://rutgers.zoom.us/webinar/register/WN_yB9Q66wcSSibj1R1iTJTJw \n  \n \nThe Trials and Jubilations of Translating Arabic Literature\nSpeaker:\nSawad Hussein\nArabic-English Translator and winner of the 2019 Arablit Short Story Prize and five English PEN Translates awards.\nRespondent:\nAmir Moosavi\nAssistant Professor\, Department of English\nRutgers University Newark
URL:https://sites.rutgers.edu/islam-humanities/event/the-trials-and-jubilations-of-translating-arabic-literature/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220928T143000
DTEND;TZID=UTC:20220928T143000
DTSTAMP:20260730T114951
CREATED:20220908T171632Z
LAST-MODIFIED:20220915T151137Z
UID:741-1664375400-1664375400@sites.rutgers.edu
SUMMARY:Book launch roundtable for:   Metrics of Modernity Art and Development in Postwar Turkey
DESCRIPTION:Register in advance for this webinar:  \nhttps://rutgers.zoom.us/webinar/register/WN_jUICfSSCTCSg_shgzuqoXg \n \n\nSarah-Neel Smith\nMaryland Institute College of Art\n \nRespondents:\n \nSonal Khullar\nUniversity of Pennsylvania \n \nAlex Dika Seggerman \nRutgers-Newark\n\n\n\n 
URL:https://sites.rutgers.edu/islam-humanities/event/book-launch-roundtable-for-metrics-of-modernity-art-and-development-in-postwar-turkey/
LOCATION:Hahne 421
CATEGORIES:Metrics of Modernity Art and Development in Postwar Turkey
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220329
DTEND;VALUE=DATE:20220330
DTSTAMP:20260730T114951
CREATED:20220307T191755Z
LAST-MODIFIED:20220311T163922Z
UID:714-1648512000-1648598399@sites.rutgers.edu
SUMMARY:The Man in the Knit Cap
DESCRIPTION:Dr. Mia L. Carey \n\nThe Man in the Knit Cap \nRegister in advance for this webinar: \n\nhttps://rutgers.zoom.us/webinar/register/WN_8O19xyI_THGHAaqcL46Z_Q \n \n 
URL:https://sites.rutgers.edu/islam-humanities/event/the-man-in-the-knit-cap/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220325
DTEND;VALUE=DATE:20220326
DTSTAMP:20260730T114951
CREATED:20220217T193848Z
LAST-MODIFIED:20220301T205936Z
UID:695-1648166400-1648252799@sites.rutgers.edu
SUMMARY:Malcolm X\, Islam and the Souls of Black Folk
DESCRIPTION:Dr. Zain Abdullah\n\nAssociate Professor\, \nReligion & Society and Islamic Studies\, \nTemple University \n  \nRegister in advance for this webinar: \n\nhttps://go.rutgers.edu/MalcolmX
URL:https://sites.rutgers.edu/islam-humanities/event/malcolm-x-islam-and-the-souls-of-black-folk/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211116
DTEND;VALUE=DATE:20211117
DTSTAMP:20260730T114951
CREATED:20211102T143438Z
LAST-MODIFIED:20220102T172509Z
UID:676-1637020800-1637107199@sites.rutgers.edu
SUMMARY:Cairo Modern
DESCRIPTION:Mohamed Elsahed\n\nAuthor of Cairo since 1900: An Architectural Guide (AUC Press\, 2019)\nCurator of Cairo Modern (Center for Architecture\, Oct 1-Jan 22)\nRegister in advance for this webinar: \n\nhttps://rutgers.zoom.us/webinar/register/WN_s7UMwAxaRn2gcJmHPt5L6A \n 
URL:https://sites.rutgers.edu/islam-humanities/event/cairo-modern/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211025
DTEND;VALUE=DATE:20211026
DTSTAMP:20260730T114951
CREATED:20210628T204326Z
LAST-MODIFIED:20220102T172451Z
UID:532-1635120000-1635206399@sites.rutgers.edu
SUMMARY:Far from Mecca: African Muslim Literacy and Enslavement in the Colonial Caribbean
DESCRIPTION:Aliyah Khan\, University of Michigan\n\n\n\n\nRegister in advance for this webinar: \nhttps://rutgers.zoom.us/webinar/register/WN_3gJy4TK_QMGdr1TSdkUwlg\n\n\n\n\n\n\n\n\n\n 
URL:https://sites.rutgers.edu/islam-humanities/event/panel-discussion-on-islamic-matters-in-africa-and-the-colonial-atlantic/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211001
DTEND;VALUE=DATE:20211002
DTSTAMP:20260730T114952
CREATED:20210901T154056Z
LAST-MODIFIED:20220102T172435Z
UID:627-1633046400-1633132799@sites.rutgers.edu
SUMMARY:Islamic Matters in Africa and the Colonial Atlantic
DESCRIPTION:Alex Seggerman\, Wendell Marsh (Rutgers-Newark)\n\nPrita Meier (NYU)\nR.A. Judy (University of Pittsburgh)\n\nRegister in advance for this webinar: \nhttps://rutgers.zoom.us/webinar/register/WN_qJJlN58SQPauANlmrvoWZg \n 
URL:https://sites.rutgers.edu/islam-humanities/event/islamic-matters-in-africa-and-the-colonial-atlantic/
LOCATION:Zoom
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