{"id":845,"date":"2023-08-28T13:53:59","date_gmt":"2023-08-28T13:53:59","guid":{"rendered":"https:\/\/sites.rutgers.edu\/islam-humanities\/?post_type=tribe_events&#038;p=845"},"modified":"2023-10-29T12:19:43","modified_gmt":"2023-10-29T12:19:43","slug":"fantasmic-objects-art-and-sociality-from-lebanon-1920-1950","status":"publish","type":"tribe_events","link":"https:\/\/sites.rutgers.edu\/islam-humanities\/event\/fantasmic-objects-art-and-sociality-from-lebanon-1920-1950\/","title":{"rendered":"Fantasmic Objects: Art and Sociality from Lebanon, 1920-1950"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-850\" src=\"http:\/\/sites.rutgers.edu\/islam-humanities\/wp-content\/uploads\/sites\/674\/2023\/08\/FinalOCT11-08-09-232x300.png\" alt=\"\" width=\"487\" height=\"630\" srcset=\"https:\/\/sites.rutgers.edu\/islam-humanities\/wp-content\/uploads\/sites\/674\/2023\/08\/FinalOCT11-08-09-232x300.png 232w, https:\/\/sites.rutgers.edu\/islam-humanities\/wp-content\/uploads\/sites\/674\/2023\/08\/FinalOCT11-08-09-791x1024.png 791w, https:\/\/sites.rutgers.edu\/islam-humanities\/wp-content\/uploads\/sites\/674\/2023\/08\/FinalOCT11-08-09-768x994.png 768w, https:\/\/sites.rutgers.edu\/islam-humanities\/wp-content\/uploads\/sites\/674\/2023\/08\/FinalOCT11-08-09-1187x1536.png 1187w, https:\/\/sites.rutgers.edu\/islam-humanities\/wp-content\/uploads\/sites\/674\/2023\/08\/FinalOCT11-08-09-1583x2048.png 1583w\" sizes=\"(max-width: 487px) 100vw, 487px\" \/><\/p>\n<p>In\u00a0<em>Fantasmic Objects<\/em>, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.<\/p>\n<p>&nbsp;<\/p>\n<p>Register for<em> Webinar<\/em><\/p>\n<p><a href=\"https:\/\/rutgers.zoom.us\/webinar\/register\/WN_SJSeXOaaQf-WYMZscrFYBg#\/registration\">https:\/\/rutgers.zoom.us\/webinar\/register\/WN_SJSeXOaaQf-WYMZscrFYBg#\/registration<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Fantasmic Objects: Art and Sociality from Lebanon, 1920-1950\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/KCt9Yvxlro0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In\u00a0Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar &hellip; <a href=\"https:\/\/sites.rutgers.edu\/islam-humanities\/event\/fantasmic-objects-art-and-sociality-from-lebanon-1920-1950\/\" class=\"\">Read More<\/a><\/p>\n","protected":false},"author":2554,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-845","tribe_events","type-tribe_events","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fantasmic Objects: Art and Sociality from Lebanon, 1920-1950 - Islam, the Humanities and the Human<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.rutgers.edu\/islam-humanities\/event\/fantasmic-objects-art-and-sociality-from-lebanon-1920-1950\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fantasmic Objects: Art and Sociality from Lebanon, 1920-1950 - Islam, the Humanities and the Human\" \/>\n<meta property=\"og:description\" content=\"In\u00a0Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. 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