{"id":433,"date":"2020-07-10T15:02:44","date_gmt":"2020-07-10T15:02:44","guid":{"rendered":"http:\/\/sites.rutgers.edu\/saikaku-bakin-symposium\/?page_id=433"},"modified":"2025-03-06T14:54:37","modified_gmt":"2025-03-06T14:54:37","slug":"program","status":"publish","type":"page","link":"https:\/\/sites.rutgers.edu\/saikaku-bakin-symposium\/news\/program\/","title":{"rendered":"2025 Paris Symposium Program"},"content":{"rendered":"

\u897f\u9db4\u30fb\u99ac\u7434\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0<\/h2>\n

Brochure 2025_Saikaku-Bakin De\u0301pliant A5 V2<\/a><\/h2>\n

Saikaku-Bakin Symposium<\/h4>\n

Dates: Thu\/Fri\/Sat 20-22 March, 2025<\/h4>\n

Paris Cit\u00e9 University, Paris, France (in-person presentations; virtual audience participation)<\/h4>\n

 <\/p>\n

<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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20 MARCH (THU): <\/em><\/strong><\/h5>\n<\/td>\n
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EDO NARRATIVE\u2014Coll\u00e8ge de France, Institut des Civilisations – Salle Fran\u00e7oise H\u00e9ritier<\/em><\/strong><\/h5>\n

https:\/\/u-paris.zoom.us\/meeting\/register\/Yv2PiguhR12xhpiCLHDtDQ<\/a><\/td>\n<\/tr>\n

Panel 1<\/em><\/strong><\/td>\n\n
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5:30-7:00pm <\/strong>Q&A 7:00-7:30pm<\/p>\n

Session chair: Paul G. Schalow (Rutgers)<\/td>\n<\/tr>\n

David ATHERTON<\/td>\nWhat is fiction for? Ueda Akinari\u2019s Kamakura tales and the bounds of narrative<\/td>\n<\/tr>\n
Andrew GERSTLE<\/p>\n

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Reading j\u014druri<\/em> narratives<\/p>\n

 <\/td>\n<\/tr>\n

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21 MARCH (FRI): <\/em><\/strong><\/h5>\n<\/td>\n
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POPULAR LITERATURE\u2014Paris Cit\u00e9 University – Amphith\u00e9\u00e2tre Alan Turing<\/em><\/strong><\/h5>\n

https:\/\/u-paris.zoom.us\/meeting\/register\/2iNBJ01mQH6hHcabArFZoQ<\/a><\/td>\n<\/tr>\n

Panel 2<\/em><\/strong><\/td>\n\n
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10:00-11:00am<\/strong> Q&A 11:00-11:30am<\/p>\n

Session chair: Marianne Simon (Universit\u00e9 Paris Cit\u00e9)<\/td>\n<\/tr>\n

Will FLEMING<\/td>\nJippensha Ikku\u2019s practice of serial publication and the emergence of an interactive readership<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Angelo WONG<\/td>\nHyakumonogatari <\/em>and setsuwa<\/em> pastiche in Shokoku hyakumonogatari<\/em>\u2019s depictions of the return of dead wives<\/td>\n<\/tr>\n
Panel 3<\/em><\/strong><\/td>\n\n
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2:30-3:30pm<\/strong> Q&A 3:30-4:00pm<\/p>\n

Session chair: Daniel Struve (Universit\u00e9 Paris Cit\u00e9)<\/td>\n<\/tr>\n

Cristian PALLONE<\/td>\nYoshiwara goes to theatre: Some considerations regarding the evolution of sharebon<\/em> in the Tenmei and Kansei eras<\/td>\n<\/tr>\n
William HEDBERG<\/td>\nChikamatsu Monzaemon\u2019s Later Battles of Coxinga\u00a0<\/em>and the Edo-period discovery of Taiwan<\/td>\n<\/tr>\n
Panel 4<\/em><\/strong><\/td>\n\n
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4:30-5:30pm<\/strong> Q&A 5:30-6:00pm<\/p>\n

Session chair: G\u00e9rald Peloux (INALCO)<\/span><\/td>\n<\/tr>\n

Paola MASCHIO<\/td>\nThe spoken language of women in Shikitei Sanba\u2019s Ukiyo buro<\/em><\/td>\n<\/tr>\n
David J. GUNDRY<\/p>\n

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The question of humor in Ihara Saikaku\u2019s fiction<\/p>\n

 <\/td>\n<\/tr>\n

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MARCH 22 (SAT): <\/em><\/strong><\/h5>\n<\/td>\n
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POPULARIZATION\u2014Paris Cit\u00e9 University – Amphith\u00e9\u00e2tre Alan Turing<\/em><\/strong><\/h5>\n

https:\/\/u-paris.zoom.us\/meeting\/register\/S4a7PAf7RM-oc4wm5bZJXA<\/a><\/td>\n<\/tr>\n

Panel 5<\/em><\/strong><\/td>\n\n
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10-11:30am<\/strong> Q&A11:30am-12:00pm<\/p>\n

Session chair: Matthias Hayek (EPHE – PSL)<\/td>\n<\/tr>\n

Nicolas MOLLARD<\/td>\nWhen philological essays disguise as fiction: an analysis of Kyokutei Bakin\u2019s Mukashigatari shichiya no kura<\/em> (1811)<\/td>\n<\/tr>\n
Ye YUAN<\/td>\nRewriting Japanese story into Chinese form: Engi ky\u014dgiden<\/em> and the unruly woman in early modern Japan<\/td>\n<\/tr>\n
Kevin MULHOLLAND<\/td>\nHumor, historical consciousness and information culture in Kyokutei Bakin\u2019s Mus\u014d By\u014dei koch\u014d monogatari<\/em><\/td>\n<\/tr>\n
Panel 6<\/em><\/strong><\/td>\n\n
\n

2:30-4:00pm<\/strong> Q&A 4:00-4:30pm<\/p>\n

Session chair: Nicolas Mollard (Universit\u00e9 Jean Moulin Lyon 3)<\/span><\/td>\n<\/tr>\n

Morgaine SETZER-MORI<\/td>\nHistoriographical elements and the construction of historical meaning in Takai Ranzan\u2019s Atsumori gaiden: Kitan Aoba no fue <\/em>(1813)<\/td>\n<\/tr>\n
Jeffrey KNOTT<\/td>\nPremodern Genji commentaries and Tanehiko\u2019s Nise Murasaki<\/em><\/td>\n<\/tr>\n
Shan REN<\/td>\nThe alluring poisonous woman: Oren in Kyokutei Bakin\u2019s Shinpen kinpeibai<\/em>\u201d<\/td>\n<\/tr>\n
Roundtable Discussion<\/em><\/strong><\/td>\n\n
\n

4:30-5:30pm<\/strong><\/td>\n<\/tr>\n

Jeffrey NEWMARK, Glynne WALLEY<\/td>\n\u201cBringing Edo literature to new audiences: translation, pedagogy, digital tools\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Please address questions to: daniel.struve@u-paris.fr\u00a0 <\/em>or\u00a0schalow@rutgers.edu<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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