{"id":5,"date":"2017-12-06T14:11:58","date_gmt":"2017-12-06T14:11:58","guid":{"rendered":"http:\/\/sites.rutgers.edu\/professor-example\/?page_id=5"},"modified":"2026-01-12T01:44:29","modified_gmt":"2026-01-12T01:44:29","slug":"research","status":"publish","type":"page","link":"https:\/\/sites.rutgers.edu\/weijie-song\/research\/","title":{"rendered":"Research"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Interests<\/strong><\/p>\n<ul>\n<li>Modern Chinese Literature and Film<\/li>\n<li>Comparative Literature<\/li>\n<li>Urban Studies<\/li>\n<li>popular culture<\/li>\n<li>Environmental Humanities<\/li>\n<li>Sinophone and Diaspora Studies<\/li>\n<\/ul>\n<p><strong>Education<\/strong><\/p>\n<ul>\n<li>Ph.D. in Modern Chinese Literature and Culture, May 2006, Columbia University. Dissertation: \u201cMapping Modern Beijing: A Literary and Cultural Topography, 1900s-1950s,\u201d Advisor &#8211; David Der-wei Wang \u738b\u5fb7\u5a01.<\/li>\n<li>Master of Philosophy in Chinese Literature, 2002, Columbia University.<\/li>\n<li>Ph.D. in Comparative Literature, May 1997, Peking University. Dissertation: \u201cFrom Entertainment Activity to Utopian Impulse: Rereading Jin Yong\u2019s Martial Arts Fiction,\u201d Advisors &#8211; YUE Daiyun \u4e50\u9edb\u4e91 &amp; DAI Jinhua \u6234\u9526\u534e.<\/li>\n<li>M.A. in Comparative Literature, 1994, Peking University.<\/li>\n<li>B.S., 1991, Xi\u2019an Jiaotong University.<\/li>\n<\/ul>\n<p><strong>Positions Held<\/strong><\/p>\n<ul>\n<li>2023-present, Graduate Program Director, Department of Asian Languages and Cultures, Rutgers University.<\/li>\n<li>2022-2023, Undergraduate Program Director, Department of Asian Languages and Cultures, Rutgers University.<\/li>\n<li>2015-present, Associate Professor, Department of Asian Languages and Cultures, Rutgers University. Affiliated Member in the Graduate Program in Comparative Literature.<\/li>\n<li>2015-2016, Acting Director of Undergraduate Studies, Department of Asian Languages and Cultures, Rutgers University.<\/li>\n<li>2015-present, Advisory Board Member, Rutgers Center for Chinese Studies.<\/li>\n<li>2008-2015, Assistant Professor, Department of Asian Languages and Cultures, Rutgers University. Affiliated Member in the Graduate Program in Comparative Literature.<\/li>\n<li>2006-2008, Assistant Professor, Department of Foreign Languages and Literatures,\u00a0Purdue University. Affiliated Member in the Comparative Literature Program, Asian Studies Program, and Film Studies Program.<\/li>\n<\/ul>\n<p><strong>Publications<\/strong><br \/>\n<strong>Books<\/strong><\/p>\n<ul>\n<li><em>Mapping Modern Beijing: Space, Emotion, Literary Topography<\/em>. New York: Oxford University Press, 2017, \u00a92018. Xii + 306 pp. Hardcover; Oxford Scholarship Online; Kindle e-book; Nook e-book. ISBN: 9780190200671 (cloth), 9780190200688 (updf), 9780190200695 (oso).<\/li>\n<li><em>China, Literature, and the United States: Images of China in American and Chinese-American Novel and Drama <\/em>\u4e2d\u56fd\u00b7\u6587\u5b66\u00b7\u7f8e\u56fd\uff1a\u7f8e\u56fd\u5c0f\u8bf4\u620f\u5267\u4e2d\u7684\u4e2d\u56fd\u5f62\u8c61. Guangzhou: Huacheng Press \u82b1\u57ce\u51fa\u7248\u793e (Signature Book Series, sponsored by the National Commission of Education), 2003. 513 pp. ISBN: 9787536038486.<\/li>\n<li><em>From Entertainment Activity to Utopian Impulse: Rereading Jin Yong\u2019s Martial Arts Fiction<\/em> \u4ece\u5a31\u4e50\u884c\u4e3a\u5230\u4e4c\u6258\u90a6\u51b2\u52a8\uff1a\u91d1\u5eb8\u5c0f\u8bf4\u518d\u89e3\u8bfb. Nanjing: Jiangsu People\u2019s Press \u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e (Signature Book), 1999. 252 pp.\u00a0ISBN: 9787214025654.<\/li>\n<li><em>From Entertainment Activity to Utopian Impulse: Rereading Jin Yong\u2019s Martial Arts Fiction<\/em> \u5f9e\u5a1b\u6a02\u884c\u70ba\u5230\u70cf\u6258\u90a6\u885d\u52d5\uff1a\u91d1\u5eb8\u5c0f\u8aaa\u518d\u89e3\u8b80. Revised and enlarged edition in traditional Chinese characters. Taipei: Rye Field Publications \u9ea5\u7530 (Signature Book Series of Rye Field Humanities \u9ea5\u7530\u4eba\u6587), forthcoming.<\/li>\n<\/ul>\n<p><strong>Edited Books and Special Issues\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<ul>\n<li><em>Worlding Northeast China: Northeast China Reader, Volume 1\u00a0<\/em>\u4e16\u754c\u4e2d\u7684\u6771\u5317\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0a\uff09.\u00a0Co-editor (with David Der-wei Wang \u738b\u5fb7\u5a01) . Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025. 512pp. ISBN: 9786264193962.<\/li>\n<li><em>Northeast Chinese Renaissance: Northeast China Reader, Volume 2 <\/em>\u6771\u5317\u6587\u85dd\u5fa9\u8208\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0b\uff09.\u00a0Co-editor (with David Der-wei Wang \u738b\u5fb7\u5a01) . Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025. 512pp. ISBN: 9786264193870.<\/li>\n<li>\u201cNortheast China Studies.\u201d Co-editor (with Xuexin Zhang) of a special issue for <em>Journal of Modern Chinese Literature <\/em>\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78 (THCI), Volume 40, 2021.<\/li>\n<li>\u201cEnvironmental Humanities, Ecocriticism, Nature Writing.\u201d Co-editor (with Yu-lin Lee) of a special issue for <em>Journal of Modern Chinese Literature <\/em>\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78 (THCI), Volume 36, 2019.<\/li>\n<li><em>Selected Works of Xu Dishang<\/em> \u8bb8\u5730\u5c71\u6587\u96c6. Beijing: Huaxia Press \u534e\u590f\u51fa\u7248\u793e, 1997, 420 pp. ISBN: 7508010868. Reprinted (2nd printing), 2000, 420 pp.\u00a0 ISBN: 7508021657. Reprinted (3rd printing) as <em>Spring Peach: Representative Works of Xu Dishan <\/em>\u6625\u6843\uff1a\u8bb8\u5730\u5c71\u4ee3\u8868\u4f5c. Beijing: Huaxia Press \u534e\u590f\u51fa\u7248\u793e, 2008. 324 pp. Reprinted (4<sup>th<\/sup> printing), 2010, 2011. ISBN: 9787508010861.<\/li>\n<\/ul>\n<p><strong>Translated Books <\/strong><\/p>\n<ul>\n<li>Huyssen, Andreas. <em>After the Great Divide: Modernism, Mass Culture, Postmodernism <\/em>\u5927\u5206\u88c2\u4e4b\u5f8c\uff1a\u73fe\u4ee3\u4e3b\u7fa9\uff0c\u5927\u8846\u6587\u5316\uff0c\u5f8c\u73fe\u4ee3\u4e3b\u7fa9<em>. <\/em>Trans. Xiaojue Wang and Weijie Song. Taipei: Rye Field Publishing Company \u9ea5\u7530, 2010, 416 pp. ISBN: 9861736301.<\/li>\n<li>Wang, David Der-wei.<em> Fin-de-si\u00e8cle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911 <\/em>\u88ab\u58d3\u6291\u7684\u73fe\u4ee3\u6027\uff1a\u665a\u6e05\u5c0f\u8aac\u65b0\u8ad6<em>.<\/em> (Traditional Chinese edition) Trans. Weijie Song. Taipei: Rye Field Publishing Company \u9ea5\u7530, 2003, 2007, 2011. 465 pp. 2003 <em>United Daily News<\/em> \u201cThe Best Book of the Year\u201d (Literary Criticism). ISBN: 9789867691545.<\/li>\n<li>Wang, David Der-wei.<em> Fin-de-si\u00e8cle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911 <\/em>\u88ab\u538b\u6291\u7684\u73b0\u4ee3\u6027\uff1a\u665a\u6e05\u5c0f\u8bf4\u65b0\u8bba<em>.<\/em> (Simplified Chinese edition) Trans. Weijie Song. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 2005, 426 pp. ISBN: 9787301084922. \u88ab\u538b\u6291\u7684\u73b0\u4ee3\u6027\uff1a\u665a\u6e05\u5c0f\u8bf4\u65b0\u8bba\uff08\u589e\u8ba2\u672c\uff09 2025 (enlarged edition), 430pp. ISBN: 9787301360170.<\/li>\n<li>Liu, Lydia H. <em>Translingual Practice<\/em> \u8de8\u8bed\u9645\u5b9e\u8df5<em>. <\/em>Trans. Weijie Song, et al.. Beijing: Sanlian shudian \u4e09\u8054\u4e66\u5e97, 2002, 504 pp. ISBN: 9787108016294. 2008 (2nd printing), 495 pp. ISBN: 9787108025746. 2014 (3rd printing), 413 pp. ISBN: 9787108050885.<\/li>\n<li>Fiske, John. <em>Understanding Popular Culture<\/em> \u7406\u89e3\u5927\u4f17\u6587\u5316<em>. <\/em>Trans. Xiaojue Wang and Weijie Song. Beijing: Central Compilation and Translation Press \u4e2d\u592e\u7f16\u8bd1\u51fa\u7248\u793e, 2001, 258 pp, 2006 (2nd printing),<\/li>\n<li>Habermas<em>, <\/em>J\u00fcrgen. <em>The Structural Transformation of Public Sphere<\/em>\u516c\u5171\u9886\u57df\u7684\u7ed3\u6784\u8f6c\u578b. Trans. Cao Weidong, Xiaojue Wang, Liu Beicheng, and Weijie Song. Shanghai: Xuelin Press\u5b66\u6797\u51fa\u7248\u793e, 1999, 2000 (2<sup>nd<\/sup> printing), 2004 (3rd printing), 354p. ISBN: 9787806166000. \u516c\u5171\u9818\u57df\u7684\u7d50\u69cb\u8f49\u578b. Taipei: Linking Publishing Company \u806f\u7d93, 2002, 2005 (3rd printing), 354 pp. ISBN: 9789570823776.246 pp. ISBN: 9787801094735.<\/li>\n<li>Miner, Earl. <em>Comparative Poetics <\/em>\u6bd4\u8f83\u8bd7\u5b66. Trans. Yugen Wang, Weijie Song, et al. Beijing: Central Compilation and Translation Press \u4e2d\u592e\u7f16\u8bd1\u51fa\u7248\u793e, 1998, 2004 (2nd printing), 372 pp. ISBN: 9787801092052.<\/li>\n<\/ul>\n<div class=\"row\">\n<div class=\"col-sm-12\">\n<p><strong>Journal Articles and Book Chapters (some works appeared in different forms and editions)<br \/>\n<\/strong><\/p>\n<ul>\n<li>\u201cHolographic Northeast\u201d \u5168\u606f\u6771\u5317. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds., <em>Worlding Northeast China: Northeast China Reader, Volume 1\u00a0<\/em>\u4e16\u754c\u4e2d\u7684\u6771\u5317\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0a\uff09, <em>Northeast Chinese Renaissance: Northeast China Reader, Volume 2\u00a0<\/em>\u6771\u5317\u6587\u85dd\u5fa9\u8208\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0b\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025,11-16.<\/li>\n<li>\u201cIntroduction Worlding Northeast China\u201d \u5c0e\u8b80 \u4e16\u754c\u4e2d\u7684\u6771\u5317. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds., <em>Worlding Northeast China: Northeast China Reader, Volume 1\u00a0<\/em>\u4e16\u754c\u4e2d\u7684\u6771\u5317\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0a\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025, 324-333.<\/li>\n<li>\u201cIntroduction Crossing the Yalu Rive\u201d \u5c0e\u8b80 \u8de8\u904e\u9d28\u7da0\u6c5f. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds., <em>Worlding Northeast China: Northeast China Reader, Volume 1\u00a0<\/em>\u4e16\u754c\u4e2d\u7684\u6771\u5317\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0a\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025, 434-439.<\/li>\n<li>\u201cIntroduction The Firstborn of the Republic?\u201d \u5c0e\u8b80 \u5171\u548c\u570b\u9577\u5b50?. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds.,<em> Northeast Chinese Renaissance: Northeast China Reader, Volume 2\u00a0<\/em>\u6771\u5317\u6587\u85dd\u5fa9\u8208\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0b\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025, 52-58.<\/li>\n<li>\u201cIntroduction Lyricism in the Revolutionary Era\u201d \u5c0e\u8b80 \u9769\u547d\u6642\u4ee3\u7684\u6292\u60c5. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds.,<em> Northeast Chinese Renaissance: Northeast China Reader, Volume 2\u00a0<\/em>\u6771\u5317\u6587\u85dd\u5fa9\u8208\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0b\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025, 108-113.<\/li>\n<li>\u201cIntroduction Northeast Waves, Human Chronicles\u201d \u5c0e\u8b80 \u6771\u5317\u98a8\u00b7\u4eba\u9593\u4e16. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds.,<em> Northeast Chinese Renaissance: Northeast China Reader, Volume 2\u00a0<\/em>\u6771\u5317\u6587\u85dd\u5fa9\u8208\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0b\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025, 156-162.<\/li>\n<li>\u201cIntroduction Shamanism, Environment, Eco-Writing\u201d \u5c0e\u8b80 \u6709\u9748\u7684\u5929\u5730. In David Der-wei Wang \u738b\u5fb7\u5a01and Weijie Song \u5b8b\u5049\u6770 eds.,<em> Northeast Chinese Renaissance: Northeast China Reader, Volume 2\u00a0<\/em>\u6771\u5317\u6587\u85dd\u5fa9\u8208\uff1a\u6771\u5317\u8b80\u672c\uff08\u4e0b\uff09. Taipei: China Times Publishing Co. \u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\uff0c2025, 220-225.<\/li>\n<li>Worlding (Post-)Jin Yong: Translation, Adaptation, Narration, Digitalization \u4e16\u754c\u4e2d\u7684\u300c\u540e\u300d\u91d1\u5eb8\uff1a\u7ffb\u8bd1\u00b7\u6539\u7f16\u00b7\u53d9\u4e8b\u00b7\u6570\u5b57. <em>Novel Review<\/em> \u5c0f\u8bf4\u8bc4\u8bba (CSSCI), 2025:5, 60-69.<\/li>\n<li>\u201cMultimedia Presentations: Strategies and Methods of Liberal Education in the AI Era\u201d\u591a\u5a92\u4f53\u5c55\u6f14\uff1aAI\u65f6\u4ee3\u4eba\u6587\u6559\u80b2\u7684\u7b56\u7565\u4e0e\u65b9\u6cd5. In Chen Pingyuan, ed., <em>Literary Education in the AI Era<\/em> AI\u65f6\u4ee3\uff0c\u6587\u5b66\u5982\u4f55\u6559\u80b2. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 2025, 271-275.<\/li>\n<li>\u201cThe Humanistic Northeast China: Intention and Method\u201d \u4eba\u6587\u4e1c\u5317: \u610f\u56fe\u4e0e\u65b9\u6cd5. With David Der-wei Wang and Xiaodong Wu. <em>Novel Review<\/em> \u5c0f\u8bf4\u8bc4\u8bba (CSSCI), 2025:1, 38-50.<\/li>\n<li>\u201cNortheast China in Literature and Film: Between Suffering and Salvation.\u201d <em>ThinkChina, Lianhe Zaobao<\/em>, 2024.<\/li>\n<li>\u201cThe Oleander of Memory: Twentieth-Century Northeast and Beiping through the Eyes of a Hakka Youth\u201d \u8bb0\u5fc6\u7684\u5939\u7af9\u6843\uff0c\u4e00\u4e2a\u5ba2\u5bb6\u9752\u5e74\u773c\u4e2d\u768420\u4e16\u7eaa\u4e1c\u5317\u4e0e\u5317\u5e73. <em>Vistopia <\/em>\u770b\u7406\u60f3, <em>Literary Memories<\/em> \u6587\u5b66\u7684\u8bb0\u5fc6, <em>Modern China in Literature <\/em>\u6587\u5b66\u7684\u73b0\u4ee3\u4e2d\u56fd, 2024.<\/li>\n<li>\u201cEnvironmentality, Sustainability, and Chinese Storytelling.\u201d <em>Cultura: International Journal of Philosophy of Culture and Axiology <\/em>(AHCI), 2023, 20:1, 55-66.<\/li>\n<li>&#8220;(In)Visible Beijing Within and Without World Literature.&#8221; In Ato Quayson and Jini Kim Watson, eds., <em>The Cambridge Companion to the City in World Literature<\/em>. Cambridge University Press, 2023, 248-263.<\/li>\n<li>&#8220;Worlding Jin Yong\u2019s Martial Arts (<em>Wuxia<\/em>) Imagination in Three Keys: Narration, Translation, Adaptation.&#8221; In Yingjin Zhang, ed., <em>A World History of Chinese Literature<\/em>. Routledge, 2023, 253-263.<\/li>\n<li>&#8220;Moses on the Plain: Shuang Xuetao and New Dongbei Literature&#8221; \u5e73\u539f\u4e0a\u7684\u6469\u897f\uff1a\u53cc\u96ea\u6d9b\u4e0e\u65b0\u4e1c\u5317\u6587\u5b66 (with Shuang Xuetao \u53cc\u96ea\u6d9b, Jeremy Tiang \u7a0b\u5f02, Carlos Rojas \u7f57\u9e4f, Xuexin Zhang \u5f20\u5b66\u6615, Eric Abrahamsen \u9676\u5efa, Brian Lax, and David Der-wei Wang \u738b\u5fb7\u5a01). <a href=\"https:\/\/bcaf.org.cn\/26192887\">Beijing Contemporary Art Foundation<\/a>. Institute of Film,Television and Theatre, Peking University.<\/li>\n<li>&#8220;Mythorealist Representations of the Country and the City.&#8221; In Riccardo Moratto and Howard Choy, eds., <em>Routledge Companion to Yan Lianke<\/em>. Routledge, 2022, 3-15.<\/li>\n<li>&#8220;Northeast China Studies: Texts and Routes&#8221; \u6771\u5317\u7814\u7a76\uff1a\u6587\u672c\u8207\u8def\u5f91. <em>Modern Chinese Literature <\/em>\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78, (THCI, Taiwan Humanities Citation Index). Volume 40, 2021, 19-33. [Weijie Song and Xuexin Zhang]<\/li>\n<li>&#8220;Literature, <em>Jianghu <\/em>World, Chivalrous Trajectory&#8221; \u6587\u5b78\u2022\u6c5f\u6e56\u2022\u4fe0\u8e64. <em>In A Literary Loyalist: In Honor of Professor Zaifu Liu <\/em>\u6587\u5b78\u8d64\u5b50\uff1a\u5289\u518d\u5fa9\u5148\u751f\u516b\u79e9\u58fd\u6176\u6587\u96c6. Ed. David Der-wei Wang, Jin Ji, and Jianmei Liu. Hong Kong: Sanlian Shudian \u4e09\u806f\u66f8\u5e97, 2021, 533-540.<\/li>\n<li>&#8220;Door, (Dis)Enchantment, and (Anti)Direction: Eileen Chang\u2019s Literary and Cinematic World&#8221; \u95e8\uff0c\u8ff7\u8bef\uff0c\u65b9\uff08\u53cd\uff09\u5411\u611f\uff1a\u5f20\u7231\u73b2\u7684\u6587\u5b66\u5f71\u50cf\u4e16\u754c. In <em>Essays in Honor of <\/em><em>Professor <\/em><em>Yue Daiyun<\/em><em>\u00a0<\/em>\u4e50\u4ee5\u6210\u4e4b\u2014\u2014\u4e50\u9edb\u4e91\u6559\u6388\u4e5d\u5341\u534e\u8bde\u8d3a\u5bff\u6587\u96c6. Edited by Zhang Hui and Liu Yunhua. Shanghai: Fudan University Press \u590d\u65e6\u5927\u5b66\u51fa\u7248\u793e, 2021, 266-276.<\/li>\n<li>&#8220;Smokestacks, Environmental Object, and Ecological Imagination,&#8221; \u6587\u5316\u4e2d\u570b\u5b78\u520a 2021:1, 150-157.<\/li>\n<li>&#8220;Notes on Professor Yue Daiyun: Scholar, Writer, and Mentor&#8221; \u5e08\u4ece\u4e50\u9edb\u4e91\u5148\u751f\u6563\u8bb0. <em>Biographical Literature<\/em> \u4f20\u8bb0\u6587\u5b66, 2021:3, 48-58.<\/li>\n<li>\u201c1955, February 28: Jin Yong\u2019s Martial Arts Topography\u201d \u91d1\u5eb8\u6b66\u4fe0\u5730\u5f62\u5716.<em> Harvard\u2019s New Literary History of Modern China <\/em>\u54c8\u4f5b\u65b0\u7de8\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u53f2 2. Ed. David Der-wei Wang. 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New York: Cambria Press, 2007, 121-154.<\/li>\n<li>\u201cSpace, Swordsmen, and Utopia: The Dualistic Imagination in Jin Yong\u2019s Narratives.\u201d In <em>The Jin Yong Phenomenon: Chinese Martial Arts Fiction and Modern Chinese Literary History<\/em>, edited by Huss, Ann and Liu Jianmei. New York: Cambria Press, 2007, 155-178.<\/li>\n<li>\u201cTransgression, Submission, and the Fantasy of Youth Subculture: The Nostalgic Symptoms of In the Heat of the Sun.\u201d In <em>100 Years of Chinese Cinema: A Generational Dialogue<\/em>, edited by Kong, Haili and John A. Lent. Signature Book, Norwalk, CT.: EastBridge, 2006, 171-182.<\/li>\n<li>\u201cViews from Near and Afar: Lin Yutang, Princess Der Ling, Victor Segalen and Beijing Narratives\u201d \u65e2\u8fdc\u4e14\u8fd1\u7684\u76ee\u5149\uff1a\u6797\u8bed\u5802\uff0c\u5fb7\u9f84\u516c\u4e3b\uff0c\u8c22\u9601\u5170\u7684\u5317\u4eac\u53d9\u4e8b. In <em>Beijing: Urban Imagination and Cultural Memory<\/em>, edited by Chen, Pingyuan and David Der-wei Wang \u9648\u5e73\u539f\u3001\u738b\u5fb7\u5a01. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 2005, 504-532.<\/li>\n<li>\u201cViews from Near and Afar: Lin Yutang, Princess Der Ling, Victor Segalen and Beijing Narratives\u201d \u65e2\u8fdc\u4e14\u8fd1\u7684\u76ee\u5149\uff1a\u6797\u8bed\u5802\uff0c\u5fb7\u9f84\u516c\u4e3b\uff0c\u8c22\u9601\u5170\u7684\u5317\u4eac\u53d9\u4e8b. <em>Studies of Modern China<\/em> \u73b0\u4ee3\u4e2d\u56fd 2004:5, 81-102.<\/li>\n<li>\u201c\u2018Poetic Thinking\u2019, Literary Perception, and Urban Imagination\u201d \u8bd7\u601d\u00b7\u6587\u5b66\u611f\u00b7\u90fd\u5e02\u60f3\u8c61. <em>Read<\/em> \u4e66\u57ce 2003:12, 36-39.<\/li>\n<li>\u201cThe First Woman Standing on the Top of the Alter to Heaven\u201d \u7ad9\u5728\u5929\u58c7\u9802\u4e0a\u7684\u7b2c\u4e00\u4f4d\u5973\u6027. <em>Unitas<\/em> \u806f\u5408\u6587\u5b78 2003:4, 67-71.<\/li>\n<li>\u201cCultural Subordination, Chinatown Cowboy, and Colonial Lies: Reading Pardee Lowe, Frank Chin, and David Henry Hwang\u201d \u6587\u5316\u81e3\u5c5e\u00b7\u534e\u57e0\u725b\u4ed4\u00b7\u6b96\u6c11\u8c0e\u8a00. In <em>Chinese American Literary Studies<\/em> \u7f8e\u56fd\u534e\u88d4\u6587\u5b66\u7814\u7a76, edited by Cheng Aimin \u7a0b\u7231\u6c11. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 2003, 105-142.<\/li>\n<li>\u201c \u2018Imagined Memories,\u2019 Generic Differences, and Jin Yong\u2019s Fiction\u201d \u60f3\u8c61\u7684\u8bb0\u5fc6\uff0c\u6587\u7c7b\u5dee\u5f02\uff0c\u4e0e\u91d1\u5eb8\u5c0f\u8bf4. In <em>Jin Yong\u2019s Fiction and Chinese Literature in the 20th Century<\/em> \u91d1\u5eb8\u5c0f\u8bf4\u4e0e20\u4e16\u7eaa\u4e2d\u56fd\u6587\u5b66, edited by Wu, Xiaodong and Ji Birui \u5434\u6653\u4e1c\u3001\u8ba1\u74a7\u745e. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 2002, 409-427.<\/li>\n<li>\u201cHow to Understand Popular Culture\u201d \u5982\u4f55\u7406\u89e3\u5927\u4f17\u6587\u5316. <em>Reading<\/em> \u8bfb\u4e66 2002:2, 107-114.<\/li>\n<li>\u201cBody Imagination in Late Qing Chivalric and Court-Case Fiction: Reading of Three Knights-errant and Five Brothers\u201d \u665a\u6e05\u4fa0\u4e49\u516c\u6848\u5c0f\u8bf4\u7684\u8eab\u4f53\u60f3\u8c61. In <em>The Late Ming and the Late Qing: Historical Dynamics and Cultural Innovations<\/em> \u665a\u660e\u4e0e\u665a\u6e05\uff1a\u5386\u53f2\u4f20\u627f\u4e0e\u6587\u5316\u521b\u65b0, edited by Chen, Pingyuan, David Der-wei Wang, and Wei Shang \u9648\u5e73\u539f\u3001\u738b\u5fb7\u5a01\u3001\u5546\u4f1f. Wuhan: Hubei jiaoyu chubanshe \u6e56\u5317\u6559\u80b2\u51fa\u7248\u793e, 2002, 441-451.<\/li>\n<li>\u201cOn the \u2018Modernity\u2019 in Cultural Studies\u201d \u6587\u5316\u7814\u7a76\u7684\u73b0\u4ee3\u6027\u95ee\u9898 (Li, Tuo, Dai Jinhua, Weijie Song, and He Li). In <em>Anthology of Critical Essays in 1990s<\/em> \u4e5d\u5341\u5e74\u4ee3\u6279\u8bc4\u6587\u9009, edited by Chen Sihe \u9648\u601d\u548c. Shanghai: Hanyu dacidian Press \u6c49\u8bed\u5927\u8bcd\u5178\u51fa\u7248\u793e, 2001, 3-28.<\/li>\n<li>\u201cGaze, Not-Daring Gaze and Utopian Situation in Gender Politics\u201d \u51dd\u89c6\u00b7\u4e0d\u53ef\u903c\u89c6\u00b7\u53cc\u5251\u5408\u74a7. In <em>Reading Jin Yong\u2019s Martial Art World<\/em> \u9605\u8bfb\u91d1\u5eb8\u4e16\u754c, edited by Wang Jingsan \u738b\u656c\u4e09. Shanghai: Shanghai shudian \u4e0a\u6d77\u4e66\u5e97, 2000, 72-86.<\/li>\n<li>\u201cFamily, Empire, and \u2018Nationalism\u2019 in Jin Yong\u2019s Martial Arts Fiction\u201d \u8ad6\u91d1\u5eb8\u5c0f\u8aaa\u7684\u201c\u5bb6\u570b\u60f3\u50cf\u201d. In <em>Jin Yong\u2019s Fiction and Chinese Literature in the 20th Century<\/em> \u91d1\u5eb8\u5c0f\u8aaa\u8207\u4e8c\u5341\u4e16\u7d00\u4e2d\u570b\u6587\u5b78, edited by Sylvia Lin. Hong Kong: Ming He Publishing Inc. \u660e\u6cb3\u793e, 2000, 325-342.<\/li>\n<li>\u201cGaze, Not-Daring Gaze and Utopian Situation in Gender Politics\u201d \u51dd\u89c6\u00b7\u4e0d\u53ef\u903c\u89c6\u00b7\u53cc\u5251\u5408\u74a7. <em>Avant-Garde Critics Today<\/em> \u4eca\u65e5\u5148\u950b 1999:6, 44-56.<\/li>\n<li>\u201cDilemma of the Absence of \u2018Fathers\u2019, Reconstruction of the Order, and Discourse on Gender\u201d \u5931\u7236\u56f0\u5883\u00b7\u79e9\u5e8f\u91cd\u69cb\u00b7\u6027\u5225\u8a71\u8a9e. <em>China Studies<\/em> \u4e2d\u570b\u7814\u7a76 1999:5, 147-162.<\/li>\n<li>\u201cLocal or Global: Cultural Identities in the Multicultural Contexts\u201d \u5730\u65b9\u6027\u7684\u8fd8\u662f\u5168\u7403\u6027\u7684. In <em>Cultural Communications and Literary Images<\/em> \u6587\u5316\u4f20\u9012\u4e0e\u6587\u5b66\u5f62\u8c61, edited by Yue Dayiun \u4e50\u9edb\u4e91 and Zhang Hui. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 1999, 361-368.<\/li>\n<li>\u201cImagination of Han and Non-Han Conflicts in Jin Yong\u2019s Martial Arts Fiction\u201d \u91d1\u5eb8\u5c0f\u8aac\u7684\u80e1\u6f22\u6069\u4ec7. <em>Today<\/em> \u4eca\u5929 1998:4, 74-84.<\/li>\n<li>\u201cBelated Elegy: Chinese American Drama\u201c \u8fdf\u5230\u7684\u60b2\u6b4c\uff1a\u7f8e\u56fd\u534e\/\u4e9a\u88d4\u82f1\u6587\u620f\u5267\u4e00\u77a5. <em>Recent Developments in Foreign Literature<\/em> \u5916\u56fd\u6587\u5b66\u52a8\u6001 1998:2, 34-36.<\/li>\n<li>\u201cOn Utopia\u201d \u4e4c\u6258\u90a6\u7b80\u8bba. <em>Panorama of Arts<\/em> \u827a\u672f\u5e7f\u89d2 1998:3, 40-45.<\/li>\n<li>\u201cGlobalization: A Relational Keyword\u201d \u5168\u7403\u5316\u7b80\u8bba. <em>Transcultural Dialogue<\/em> \u8de8\u6587\u5316\u5bf9\u8bdd 1998:2, 83-87.<\/li>\n<li>\u201cThe \u2018Hybridity\u2019 of Identity and Cultural Amnesia\u201d \u8eab\u4efd\u8ba4\u540c\u7684\u6df7\u6742\u4e0e\u6587\u5316\u8bb0\u5fc6\u7f3a\u5931\u75c7. <em>Journal of Tianjin Social Sciences<\/em> \u5929\u6d25\u793e\u4f1a\u79d1\u5b66 1998:2, 83-87. Reprinted in <em>China People\u2019s University Information Centre for Select Journal Articles: Modern and Contemporary Chinese Literary Studies <\/em>\u4e2d\u56fd\u4eba\u6c11\u5927\u5b66\u62a5\u520a\u590d\u5370\u4e2d\u5fc3\u300a\u4e2d\u56fd\u73b0\u4ee3\u3001\u5f53\u4ee3\u6587\u5b66\u7814\u7a76\u300b, 1998:6.<\/li>\n<li>\u201cSpace, Swordsmen, and Utopia\u201d \u7a7a\u95f4\u00b7\u4eba\u00b7\u4e4c\u6258\u90a6. <em>Peking University Journal of Chinese Study<\/em> \u5317\u5927\u4e2d\u6587\u7814\u7a76 1998:1, 226-248.<\/li>\n<li>\u201cLocal or Global: Cultural Identities in the Multicultural Contexts.\u201d In <em>Cultural Dialogue and Misreading<\/em>, edited by Lee, Mabel and Meng Hua. University of Sydney World Literature Series No. 1; Wild Peony Books Publishers, Sydney 1997; international distribution University of Hawaii Press, 409-414.<\/li>\n<li>\u201cThe Narrative Tension of Jin Yong\u2019s Martial Art Fiction\u201d \u91d1\u5eb8\u5c0f\u8bf4\u7684\u53d9\u4e8b\u5f20\u529b. <em>Panorama of Arts<\/em> \u827a\u672f\u5e7f\u89d2 1997:5, 14-20.<\/li>\n<li>\u201cCultural Criticism Confronting Challenges\u201d \u9762\u5411\u6311\u6218\u7684\u6587\u5316\u6279\u8bc4 (Li, Tuo, Dai Jinhua, Weijie Song, and He Li). <em>Beijing Literature<\/em> \u5317\u4eac\u6587\u5b66 1997:7, 22-30, 42.<\/li>\n<li>\u201cThe Plural Motifs of \u2018Nation-State\u2019\u201d \u6c11\u65cf\u56fd\u5bb6\u7684\u591a\u4e49\u6027\u8bdd\u8bed. <em>Popular Literary Criticism<\/em> \u901a\u4fd7\u6587\u5b66\u8bc4\u8bba 1997:2, 115-122.<\/li>\n<li>\u201cUnderstanding Utopias\u201d \u4e4c\u6258\u90a6\u8fa8. <em>Critical Thinking<\/em> \u601d\u60f3\u6587\u7efc 1997:2, 292-296.<\/li>\n<li>\u201cLocal or Global: Cultural Identities in the Multicultural Contexts\u201d \u5730\u65b9\u6027\u7684\u8fd8\u662f\u5168\u7403\u6027\u7684. <em>Huacheng <\/em>\u82b1\u57ce 1997:2, 151-155.<\/li>\n<li>\u201cOn the \u2018Modernity\u2019 in Cultural Studies\u201d \u6587\u5316\u7814\u7a76\u7684\u73b0\u4ee3\u6027\u95ee\u9898 (Li, Tuo, Dai Jinhua, Weijie Song, and He Li). <em>Zhongshan<\/em> \u949f\u5c71 1996:5, 173-187. Reprinted in <em>China People\u2019s University Information Centre for Select Journal Articles: Literary and Arts Theories <\/em>\u4e2d\u56fd\u4eba\u6c11\u5927\u5b66\u62a5\u520a\u590d\u5370\u4e2d\u5fc3\u300a\u6587\u827a\u7406\u8bba\u300b, 1997:1.<\/li>\n<li>\u201cUtopia of Middle-age Romance\u201d \u4e2d\u5e74\u604b\u60c5\u7684\u4e4c\u6258\u90a6. <em>Free Forum on Literature <\/em>\u6587\u5b66\u81ea\u7531\u8c08 1996:1, 148-150.<\/li>\n<li>\u201cImages Vacillating between the Two Poles\u201d \u5f62\u8c61\u5728\u4e24\u6781\u95f4\u6447\u6446. <em>The Orient<\/em> \u4e1c\u65b9 1995:3, 82-85; 1995:4, 51-53; 1995:5, 71-73.<\/li>\n<li>\u201cSubjection, Resistance and Irony\u201d \u81e3\u670d\u00b7\u6fc0\u6124\u00b7\u5a49\u8bbd. <em>American Studies Quarterly<\/em> \u7f8e\u56fd\u7814\u7a76 1995:1, 79-105.<\/li>\n<li>\u201cReading \u2018Gifts\u2019\u201d \u6709\u8d60. <em>Reading Dai Wangshu\u2019s Famous Works<\/em> \u6234\u671b\u8212\u540d\u4f5c\u6b23\u8d4f. Ed. Sun Yushi \u5b59\u7389\u77f3. Beijing: Zhongguo heping press, 1993, 200-203.<\/li>\n<\/ul>\n<p><strong>Translated Journal Articles and Book Chapters<\/strong><\/p>\n<ul>\n<li>Wang, David Der-wei. \u201cEnd of the Line\u201d \u8a69\u4eba\u4e4b\u6b7b (Traditional Chinese) Trans. Weijie Song. In<strong>\u00a0<\/strong><em>Monster That is History<\/em> \u6b77\u53f2\u8207\u602a\u7378 (Revised and expanded edition). Taipei: Rye Field Publishing Company \u9ea5\u7530, 2011, 345-406. <em>United Daily News<\/em> \u201cThe Best Book of the Year\u201d (Literary Criticism).<\/li>\n<li>Huyssen, Andreas. \u201cGeographies of Modernism in a Globalizing World\u201d \u73b0\u4ee3\u4e3b\u4e49\u5730\u7406\u5b66\u4e0e\u5168\u7403\u5316\u4e16\u754c (Simplified Chinese). Trans. Weijie Song and Xiaojue Wang. <em>Intellectuals: Reflections on Modernity <\/em>\u77e5\u8bc6\u5206\u5b50\u8bba\u4e1b\u00b7\u73b0\u4ee3\u6027\u53cd\u601d. Nanjing: Jiangsu renmin press \u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e, 2008, 316-335.<\/li>\n<li>Huyssen, Andreas. \u201cGeographies of Modernism in a Globalizing World\u201d \u73fe\u4ee3\u4e3b\u7fa9\u5730\u7406\u5b78\u8207\u5168\u7403\u5316\u4e16\u754c (Traditional Chinese). Trans. Weijie Song and Xiaojue Wang. <em>Con-Temporary Monthly <\/em>\u7576\u4ee3 (Taipei) 2007:9, 4-29.<\/li>\n<li>Wang, David Der-wei. \u201cEnd of the Line\u201d \u8a69\u4eba\u4e4b\u6b7b (Traditional Chinese) Trans. Weijie Song. In<strong>\u00a0<\/strong><em>Monster That is History<\/em> \u6b77\u53f2\u8207\u602a\u7378. Taipei: Rye Field Publishing Company \u9ea5\u7530, 2004, 155-225.<\/li>\n<li>Wang, David Der-wei. \u201cEnd of the Line\u201d \u8bd7\u4eba\u4e4b\u6b7b (Simplified Chinese). Trans. Weijie Song. <em>Ten Lectures on Modern Chinese Literature<\/em> \u4e2d\u56fd\u73b0\u4ee3\u6587\u5b66\u5341\u8bb2. Shanghai: Fudan University Press \u590d\u65e6\u5927\u5b66\u51fa\u7248\u793e, 2003, 207-275.<\/li>\n<li>Wang, David Der-wei. \u201cJustice Undone \u865a\u5f20\u7684\u6b63\u4e49\u201d (Simplified Chinese). In<strong>\u00a0<\/strong><em>Ten Lectures on Modern Chinese Literature<\/em>\u4e2d\u56fd\u73b0\u4ee3\u6587\u5b66\u5341\u8bb2. Shanghai: Fudan University Press \u590d\u65e6\u5927\u5b66\u51fa\u7248\u793e, 2003, 1-26.<\/li>\n<li>Wang, David Der-wei. \u201cRereading of <em>Quell the Bandits<\/em>\u201d \u91cd\u8bfb\u300a\u8361\u5bc7\u5fd7\u300b<em>.<\/em> Trans. Weijie Song. In <em>The Late Ming and the Late Qing: Historical Dynamics and Cultural Innovations\u00a0<\/em>\u665a\u660e\u4e0e\u665a\u6e05\uff1a\u5386\u53f2\u4f20\u627f\u4e0e\u6587\u5316\u521b\u65b0, edited by Chen Pingyuan, David Der-wei Wang, and Wei Shang \u9648\u5e73\u539f\u3001\u738b\u5fb7\u5a01\u3001\u5546\u4f1f. Wuhan: Hubei jiaoyu chubanshe \u6e56\u5317\u6559\u80b2\u51fa\u7248\u793e, 2002, 423-440.<\/li>\n<li>Liu, Lydia H. \u201cThe Problem of Language in Transcultural Studies\u201d \u8de8\u6587\u5316\u7814\u7a76\u7684\u8bed\u8a00\u95ee\u9898 (Simplified Chinese). Trans. Weijie Song. In <em>Politics of Translation and Language<\/em> \u7ffb\u8bd1\u4e0e\u8bed\u8a00\u7684\u653f\u6cbb, edited by Xu Baoqiang and Yuan Wei \u8bb8\u5b9d\u5f3a\u3001\u8881\u4f1f. Beijing: Zhongyang bianyi chubanshe \u4e2d\u592e\u7f16\u8bd1\u51fa\u7248\u793e, 2001, 204-276.<\/li>\n<li>Liu, Lydia H. \u201cThe Problem of Language in Transcultural Studies\u201d \u8de8\u6587\u5316\u7814\u7a76\u7684\u8a9e\u8a00\u554f\u984c (Traditional Chinese). Trans. Weijie Song. In <em>Politics of Translation and Language <\/em>\u7ffb\u8b6f\u8207\u8a9e\u8a00\u7684\u653f\u6cbb, edited by Xu Baoqiang and Yuan Wei \u8a31\u5bf6\u5f37\u3001\u8881\u5049. Hong Kong: Oxford University Press \u725b\u6d25\u5927\u5b78\u51fa\u7248\u793e, 2000, 187-251.<\/li>\n<li>Fiske, John. \u201cAmerican Jeans\u201d \u725b\u4ed4\u7f8e\u56fd. Trans. Weijie Song. <em>Film Art <\/em>\u7535\u5f71\u827a\u672f 2000:3, 75-81.<\/li>\n<li>Hamm, John Christopher. \u201cJin Yong\u2019s Early Fiction and Postwar Hong Kong\u201d \u91d1\u5eb8\u65e9\u671f\u5c0f\u8aaa\u8207\u4e94\u5341\u5e74\u4ee3\u9999\u6e2f. <em>Jin Yong\u2019s Fiction and Chinese Literature in the 20th Century <\/em>\u91d1\u5eb8\u5c0f\u8aaa\u8207\u4e8c\u5341\u4e16\u7d00\u4e2d\u570b\u6587\u5b78. Ed. Sylvia Lin. Hong Kong: Ming He Publishing Inc. \u660e\u6cb3\u793e, 2000, 191-210. Reprinted in \u91d1\u5eb8\uff1a\u5f9e\u9999\u6e2f\u5230\u4e16\u754c. Ed. \u912d\u653f\u6046. \u9999\u6e2f\uff1a\u4e09\u806f\u66f8\u5e97, 2016, 280-302.<\/li>\n<li>Larsen, Svend Erik. \u201cInterplay of Images\u201d \u6587\u5316\u5bf9\u8bdd\uff1a\u5f62\u8c61\u95f4\u7684\u76f8\u4e92\u5f71\u54cd. <em>Cultural Communications and Literary Images<\/em> \u6587\u5316\u4f20\u9012\u4e0e\u6587\u5b66\u5f62\u8c61. Ed. Yue Dayiun and Zhang Hui \u4e50\u9edb\u4e91\u3001\u5f20\u8f89. Beijing: Peking University Press \u5317\u4eac\u5927\u5b66\u51fa\u7248\u793e, 1999, 208-220.<\/li>\n<li>Wang, David Der-wei. \u201cJustice Undone\u201d \u865b\u5f35\u7684\u6b63\u7fa9 (Traditional Chinese). Trans. Weijie Song. In <em>The Making of Modernity and Modern Chinese Literature <\/em>\u5982\u4f55\u73fe\u4ee3\uff0c\u600e\u6a23\u6587\u5b78. Taipei: Rye Field Publishing Company \u9ea5\u7530, 1998, 77-100; 2nd edition, 2008. <em>United Daily News<\/em> \u201cThe Best Book of the Year\u201d (Literary Criticism).<\/li>\n<li>Hevia, James. \u201cFrom Tribute System to Colonial Studies\u201d \u4ece\u671d\u8d21\u4f53\u5236\u5230\u6b96\u6c11\u7814\u7a76. Trans. Weijie Song. <em>Reading <\/em>\u8bfb\u4e66 1998:8, 61-69.<\/li>\n<li>Taylor, Charles. \u201cInvoking Civil Society\u201d \u5401\u6c42\u5e02\u6c11\u793e\u4f1a. Trans. Weijie Song. In <em>Culture and Publicity<\/em> \u6587\u5316\u4e0e\u516c\u5171\u6027, edited by Wang Hui and Chen Yangu \u6c6a\u6656\u3001\u9648\u71d5\u8c37. Beijing: Sanlian Shudian \u4e09\u8054\u4e66\u5e97, 1998, 2005 (2nd printing), 171-198.<\/li>\n<li>Lee, Benjamin. \u201cCritical Internationalism\u201d \u6279\u5224\u7684\u56fd\u9645\u4e3b\u4e49. Trans. Weijie Song. In <em>Culture and Publicity<\/em> \u6587\u5316\u4e0e\u516c\u5171\u6027, edited by Wang Hui and Chen Yangu \u6c6a\u6656\u3001\u9648\u71d5\u8c37. Beijing: Sanlian Shudian \u4e09\u8054\u4e66\u5e97, 1998, 2005 (2nd printing), 556-600.<\/li>\n<li>Everman, Welch D. \u201cPaper World: Science Fiction in the Postmodern Era\u201d \u7eb8\u4e0a\u4e16\u754c\uff1a\u540e\u73b0\u4ee3\u65f6\u671f\u7684\u79d1\u5e7b\u5c0f\u8bf4. Trans. Weijie Song. <em>Contemporary Film <\/em>\u5f53\u4ee3\u7535\u5f71 1998:5, 15-22.<\/li>\n<li>Eagleton, Terry. \u201cConclusion of <em>Ideology<\/em>\u201d \u610f\u8bc6\u5f62\u6001\u7ed3\u8bed. Trans. Weijie Song. <em>Theoretical Studies in Literature and Art<\/em> \u6587\u827a\u7406\u8bba\u7814\u7a76 1998:1, 94-97.<\/li>\n<li>Dyer, Richard. \u201cEntertainment and Utopia\u201d \u5a31\u4e50\u4e0e\u4e4c\u6258\u90a6. Trans. Weijie Song. <em>Contemporary Cinema<\/em> \u5f53\u4ee3\u7535\u5f71 1998:1, 68-74.<\/li>\n<li>Dirlik, Arif. \u201cPostcolonial or Post-revolutionary? The Problem of History in Postcolonial Criticism\u201d \u540e\u6b96\u6c11\u9084\u662f\u540e\u9769\u547d\uff1f\u540e\u6b96\u6c11\u6279\u8a55\u7684\u6b77\u53f2\u554f\u984c. Trans. Xiaojue Wang and Weijie Song. <em>Hong Kong Journal of Social Sciences <\/em>\u9999\u6e2f\u793e\u6703\u79d1\u5b78\u5b78\u5831 1997:1, 129-156.<\/li>\n<li>Owen, Stephen. \u201cMeaning the Words\u201d \u60c5\u6295\u201c\u5b57\u201d\u5408. Trans. Weijie Song. <em>Beimei Gudian Wenxue Mingjia Shinian Wenxuan <\/em>\u5317\u7f8e\u53e4\u5178\u6587\u5b66\u540d\u5bb6\u5341\u5e74\u6587\u9009. Ed. Yue Dayiun. Nanjing: Jiangsu Renmin Press \u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e, 1996, 170-212.<\/li>\n<li>Yu, Anthony. \u201cHistory, Fiction and the Reading of Chinese Narrative\u201d \u5386\u53f2\uff0c\u5c0f\u8bf4\uff0c\u4e0e\u89e3\u8bfb\u4e2d\u56fd\u53d9\u4e8b. Trans. Weijie Song. <em>Beimei Gudian Wenxue Mingjia Shinian Wenxuan <\/em>\u5317\u7f8e\u53e4\u5178\u6587\u5b66\u540d\u5bb6\u5341\u5e74\u6587\u9009. Ed. Yue Dayiun. Nanjing: Jiangsu Renmin Press\u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e, 1996, 348-375.<\/li>\n<li>Plaks, Andrew. \u201cWhere the Parallel Meets\u201d \u5e73\u884c\u7ebf\u4ea4\u6c47\u4f55\u5904. Trans. Huang Chenglin and Weijie Song. <em>Beimei Gudian Wenxue Mingjia Shinian Wenxuan <\/em>\u5317\u7f8e\u53e4\u5178\u6587\u5b66\u540d\u5bb6\u5341\u5e74\u6587\u9009<em>.<\/em> Ed. Yue Dayiun. Nanjing: Jiangsu Renmin Press\u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e, 1996, 285-310.<\/li>\n<li>Huizinha, Johan. \u201cPlay and Poetry\u201d \u6e38\u620f\u4e0e\u8bd7. Trans. Weijie Song. <em>Homo Ludens <\/em>\u6e38\u620f\u7684\u4eba. Hangzhou: Chinese Academy of Fine Arts Press \u4e2d\u56fd\u7f8e\u672f\u5b66\u9662\u51fa\u7248\u793e, 1996, 1997 (2nd printing), 2000 (3rd printing), 131-150.<\/li>\n<li>Johnson, Barbara. \u201cWriting\u201d \u5beb\u4f5c. Trans. Weijie Song. <em>Critical Terms for Literary Study<\/em> \u6587\u5b78\u6279\u8a55\u8853\u8a9e. Hong Kong: Oxford University Press \u725b\u6d25\u5927\u5b78\u51fa\u7248\u793e, 1994, 51-65.<\/li>\n<li>Smith, Barbara Herrnstein. \u201cValue\/Evaluation\u201d \u50f9\u503c\/\u8a55\u50f9. Trans. Weijie Song. <em>Critical Terms for Literary Study<\/em> \u6587\u5b78\u6279\u8a55\u8853\u8a9e. Hong Kong: Oxford University Press \u725b\u6d25\u5927\u5b78\u51fa\u7248\u793e, 1994, 239-251.<\/li>\n<li>Peter Collier, Helga Geyer-Ryan. \u201cBeyond Postmodernism\u201d \u8d85\u8d8a\u540e\u73b0\u4ee3\u4e3b\u4e49. <em>Literary Theory Gazette<\/em>, 1994. Reprinted in <em>China People\u2019s University Information Centre for Select Journal Articles: Literary and Arts Theories <\/em>\u4e2d\u56fd\u4eba\u6c11\u5927\u5b66\u62a5\u520a\u590d\u5370\u4e2d\u5fc3\u300a\u6587\u827a\u7406\u8bba\u300b, 1994:6.<\/li>\n<li>Eagleton, Terry. \u201cModernism, Postmodernism and Capitalism\u201d \u73b0\u4ee3\u4e3b\u4e49\uff0c\u540e\u73b0\u4ee3\u4e3b\u4e49\u4e0e\u8d44\u672c\u4e3b\u4e49. Trans. Yonghu Dai and Weijie Song. <em>Contemporary Film <\/em>\u5f53\u4ee3\u7535\u5f71 1994:2, 82-88.<\/li>\n<\/ul>\n<p><strong>Book Reviews <\/strong><\/p>\n<ul>\n<li>\u201cRIEMENSCHNITTER, Andrea, Jessica IMBACH, and Justyna JAGUSCIK (eds.). 2023.\u00a0<em>Sinophone Utopias: Exploring Futures Beyond the China Dream<\/em>. New York: Cambria Press\u201d,\u00a0<em>China Perspectives<\/em>, 142, 2025, 91-92.<\/li>\n<li>&#8220;<em>Performing the Socialist State: Modern Chinese Theater and Film Culture<\/em> by Xiaomei Chen.&#8221;\u00a0<i>Modern Drama<\/i>\u00a067.3 (2024): 360-362.<\/li>\n<li>\u201c<em style=\"font-family: 'Open Sans', sans-serif;font-size: 1rem\">The Great Leap Backward: Forgetting and Representing the Mao Years,<\/em><span style=\"font-size: 1rem\">\u00a0by Lingchei Letty Chen<\/span>.\u201d <em>Journal of Asian Studies<\/em> 80:2 (2021), 448-450.<\/li>\n<li>\u201cDistortion, Reflection, Illumination: Zhuangzi as the Mirror and the Lamp, and Review of <em>Zhuangzi\u2019s Modern Fate<\/em>\u201d \u8b8a\u5f62\uff0c\u93e1\u9452\uff0c\u5553\u660e\uff1a\u4f5c\u70ba\u93e1\u8207\u71c8\u7684\u838a\u5b50\uff0c\u517c\u8a55\u300a\u838a\u5b50\u7684\u73fe\u4ee3\u547d\u904b\u300b (Traditional Chinese), <em>Ming Pao Monthly<\/em> \u660e\u5831\u6708\u520a, 2013, Volume 48:1, 147-149.<\/li>\n<li>\u201cDistortion, Reflection, Illumination: Zhuangzi as the Mirror and the Lamp, and Review of <em>Zhuangzi\u2019s Modern Fate<\/em>\u201d \u53d8\u5f62\uff0c\u955c\u9274\uff0c\u542f\u660e\uff1a\u4f5c\u4e3a\u955c\u4e0e\u706f\u7684\u5e84\u5b50\u517c\u8bc4\u300a\u5e84\u5b50\u7684\u73b0\u4ee3\u547d\u8fd0\u300b\u201d (Simplified Chinese), <em>Soochow Academic <\/em>\u4e1c\u5434\u5b66\u672f, 2013, Volume 2, 156-157.<\/li>\n<li>\u201c<em>Corruption and Realism in Late Socialist China: The Return of the Political Novel<\/em>, by Jeffery C. Kinkley.\u201d <em>Journal of Asian Studies<\/em> 66:4 (2007), 1116-1117.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p><strong>Work in Progress<\/strong><\/p>\n<ul>\n<li><strong>\u201cChivalrous Psychogeography: Martial Arts, Avant-garde, Sinophone Cinema.\u201d<\/strong>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>\u201cKing Hu: Diasporic (Re)Location and Obsession with a Chivalrous China.\u201d<\/li>\n<li>\u201cWong Kar-wai: Ashes of Time, Traces of Subjectivity.&#8221;<\/li>\n<li>\u201cAng Lee: Emotion in Motion.\u201d<\/li>\n<li>&#8220;Hou Hsiao-hsien: Epiphanies from the Tale, the Marvel, and the Quotidian.&#8221;<\/li>\n<li>\u201cJia Zhangke: Subaltern Wanderers and Crippled Chivalry.\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<li style=\"text-align: left\"><strong>\u201cIde\u00a9ology: Environmental Objects and Chinese Ecocriticism.<em>\u201d <\/em><\/strong>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li style=\"text-align: left\">&#8220;Smokestack Metamorphoses&#8221; \u73af\u5883\u4eba\u6587, \u751f\u6001\u6279\u8bc4\uff0c\u70df\u56f1\u7269\u8c61. <em>Reflections on Environmental Humanities<\/em>, A Special Issue \u73af\u5883\u4eba\u6587\u53cd\u601d.<\/li>\n<li style=\"text-align: left\">&#8220;Trees, Phytography, Environmental Object&#8221; (Stanford-Lingnan Symposium).<\/li>\n<li>&#8220;Picturing Plastic Pollution.&#8221;<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<li><strong>\u201cReviving Northeast China: Contemporary Literature and Film Beyond the Great Wall.\u201d<\/strong>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>\u201cFortune-telling Northeast China: Shamanistic Narrative, Fragmentary Redemption\u201d \u6709\u7075\u7684\u5173\u5916\uff0c\u6b8b\u4f59\u7684\u6551\u8d4e.<\/li>\n<li>\u201cThe Melancholia, Aporia, and Discovery of Northeast China\u201d \u4e1c\u5317\u7684\u5fe7\u90c1\u3001\u5173\u9698\u4e0e\u53d1\u73b0.<\/li>\n<li>\u201cSearching the Souls of Northeast China: Multimedia Representations.\u201d<\/li>\n<li>\u201cManchuria, Manchukuo, and (Post)Industrial Northeast China: Non-Place, En(x)clave, and Ex(in)clusion.\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<li>\u201cDark Room, Solitary Lamp, Empty City, and Inner Illumination: Lu Xun, Tsurumi Y\u016bsuke, and Beijing\u201d \u6697\u5ba4\u5b64\u706f\uff0c\u7a7a\u57ce\u5185\u66dc.<\/li>\n<li>\u201cUsher, Pilot, and Fictional Setting\u201d \u5f15\u5ea7\uff0c\u5bfc\u822a\uff0c\u5c0f\u8bf4\u56fe\u666f.<\/li>\n<\/ul>\n<p><strong>Grants, Fellowships, and Awards <\/strong><\/p>\n<ul>\n<li>National Chengchi University. Research grant, Sinophone Popular Culture. Research Center for Chinese Cultural Metaverse in Taiwan.<\/li>\n<li>Chiang Ching-kuo Foundation for International Scholarly Exchange Scholar Grant.<\/li>\n<li>Distinguished Visiting Professor, Sea-Sky Program, Faculty of Humanities and Social Sciences, Dalian University of Technology.<\/li>\n<li>Research Council Publication Subvention, Rutgers University.<\/li>\n<li>Eurasia Foundation (from Asia) Research Grant.<\/li>\n<li>Visiting Professor, IEP (International Excellence Program) of \u201cThe Tradition of East Asian Culture and Its Modern Transformation,\u201d Higher Education Sprout Project, National Chengchi University.<\/li>\n<li>Visiting Scholar, Print and Popular Culture Research Group, Wan Boo Sow Research Centre for Chinese Culture, and Department of Chinese Studies, National University of Singapore.<\/li>\n<li>Research Council Grant, Rutgers University.<\/li>\n<li>Outstanding Essay Award, Hong Kong Writers\u2019 Association and Hong Kong Arts Development Council.<\/li>\n<li>Board of Trustees Fellowship for Scholarly Excellence, Rutgers University.<\/li>\n<li>Presidential Fellowship for Teaching Excellence, Rutgers University.<\/li>\n<li>Chiang Ching-kuo Foundation for International Scholarly Exchange Research Grant.<\/li>\n<li>Freeman Foundation Grants for Teaching Development, Rutgers University.<\/li>\n<li>Global Initiatives, Office of International and\u00a0Global Affairs, Rutgers University.<\/li>\n<li>Research Development Incentive Grant, Purdue University.<\/li>\n<li>Teaching Development Incentive Grant, Purdue University.<\/li>\n<li>Liberal Arts Community Engagement Grant, Purdue University.<\/li>\n<li>Summer Research Fellowship, Purdue University.<\/li>\n<li><em>United Daily News<\/em> \u201cThe Best Book of the Year\u201d (Literary Criticism) and May Fourth Literary Prize for \u88ab\u58d3\u6291\u7684\u73fe\u4ee3\u6027\uff1a\u665a\u6e05\u5c0f\u8aac\u65b0\u8ad6, the Chinese translation of David Der-wei Wang&#8217;s <em>Fin-de-si\u00e8cle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911 <\/em> (Taipei: Rye Field).<\/li>\n<li>Faculty Fellowship, Columbia University.<\/li>\n<li>Weatherhead Fellowship, Columbia University.<\/li>\n<li>President\u2019s Fellowship, Columbia University.<\/li>\n<li>L. C. C. and Y. F. Wu Fellowship, Columbia University.<\/li>\n<li>L. C. Goodrich Fellowship, Columbia University.<\/li>\n<\/ul>\n<p><strong>Invited Lectures, Conference Presentations, Demonstrations<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/mp.weixin.qq.com\/s\/2fX6Wcr-b4y8BzYlkv57QQ\">&#8220;How to Tell the Good Dongbei Story? A Dialogue with Ban Yu&#8221; \u8bb2\u597d\u4e1c\u5317\u6545\u4e8b\uff1f\u73ed\u5b87\u8c08\u5c0f\u8bf4<\/a> (A forum with Ban Yu \u73ed\u5b87, Cui Qiao \u5d14\u5ce4, Michel Hockx \u8d3a\u9ea6\u6653, Huang Ping \u9ec4\u5e73, Liang Hai \u6881\u6d77, Liu Yan \u5218\u5ca9, and Xuexin Zhang \u5f20\u5b66\u6615). Co-organizer and co-moderator with David Der-wei Wang \u738b\u5fb7\u5a01. \u54c8\u4f5b\u5927\u5b66\u8d39\u6b63\u6e05\u4e2d\u56fd\u7814\u7a76\u4e2d\u5fc3 Fairbank Center for Chinese Studies, Harvard University; \u7f57\u683c\u65af\u5927\u5b66\u4e9a\u6d32\u8bed\u8a00\u6587\u5316\u7cfb Rutgers University, Asian Languages and Cultures; \u8fbd\u5b81\u5e08\u8303\u5927\u5b66\u4e2d\u56fd\u6587\u5b66\u6279\u8bc4\u7814\u7a76\u4e2d\u5fc3 Center for Chinese Literary Criticism, Liaoning Normal University; <a href=\"https:\/\/mp.weixin.qq.com\/s\/C120H3tonR85w4JAZlVfZQ\">\u5317\u4eac\u5f53\u4ee3\u827a\u672f\u57fa\u91d1\u4f1a Beijing Contemporary Art Foundation<\/a>; \u848b\u7ecf\u56fd\u57fa\u91d1\u4f1a The Chiang Ching-kuo Foundation for International Scholarly Exchange. December 9, 2022.<\/li>\n<li>\u201cEnvironmental Objects and Chinese Ecowriting.\u201d Invited lecture for the University of Hawaii, November 9, 2022.<\/li>\n<li>\u201c(In)Visible Beijing Within and Without World Literature,\u201d International Conference on \u201cBeijing Writing in World Civilization.\u201d Beijing Normal University. October 29, 2022.<\/li>\n<li>Discussant for the Keynote Speech by Chen Pingyuan, International Conference on \u201cBeijing Writing in World Civilization.\u201d Beijing Normal University. October 28, 2022.<\/li>\n<li>&#8220;&#8216;Xiaoshuo&#8217; and Storytelling: Keywords, Periodization, Genres.&#8221; Conference on Histories of Chinese Literature Since the 18th Century. National Taiwan University. August 26, 2022.<\/li>\n<li>\u201cEnvironmentality and Ide(c)ology: Objects, Storytelling, and Chinese Ecowriting.&#8221; Invited lecture for Zhejiang University, July 24, 2022.<\/li>\n<li>Co-Discussant (with Zhao Xifang) for the Keynote Speeches (James Robson, Karen Thornber, Carlos Rojas, Nicole Huang, Nie Zhenzhao, Yung Sai-Shing, and Jiang Shuzhuo), Zhejiang University-Harvard University World Literature Workshop on &#8220;Global Chinese Literature and a Community with a Shared Future for Mankind: New Directions in Theoretical Construction and Critical Practice.&#8221; June 11-12, 2022.<\/li>\n<li>&#8220;Chinese Chivalrous Psychogeography.&#8221; Invited lecture for the University of M\u00e1laga, June 3, 2022.<\/li>\n<li>&#8220;Who Can Speak of Northeast China Alone: A Panel on New Donbei Literature&#8221; (with Ban Yu, Zhang Xuexin, and Liang Hai). Dalian University of Technology &amp; Liaoning Normal University. June 1, 2022.<\/li>\n<li>&#8220;Moses on the Plain: Shuang Xuetao and New Dongbei Literature&#8221; \u5e73\u539f\u4e0a\u7684\u6469\u897f\uff1a\u53cc\u96ea\u6d9b\u4e0e\u65b0\u4e1c\u5317\u6587\u5b66 (A bilingual forum with Shuang Xuetao \u53cc\u96ea\u6d9b, Jeremy Tiang \u7a0b\u5f02, Carlos Rojas \u7f57\u9e4f, Xuexin Zhang \u5f20\u5b66\u6615, Eric Abrahamsen \u9676\u5efa, and Brian Lax). Co-organizer and co-moderator with David Der-wei Wang \u738b\u5fb7\u5a01. \u54c8\u4f5b\u5927\u5b66\u8d39\u6b63\u6e05\u4e2d\u56fd\u7814\u7a76\u4e2d\u5fc3 Fairbank Center for Chinese Studies, Harvard University; \u7f57\u683c\u65af\u5927\u5b66\u4e9a\u6d32\u8bed\u8a00\u6587\u5316\u7cfb Rutgers University, Asian Languages and Cultures; \u7f57\u683c\u65af\u5927\u5b66\u4e2d\u56fd\u7814\u7a76\u4e2d\u5fc3 Rutgers Center for Chinese Studies; <a href=\"https:\/\/mp.weixin.qq.com\/s\/qQEWhcoZn8wGpEFlCsUMMQ\">\u5317\u4eac\u5f53\u4ee3\u827a\u672f\u57fa\u91d1\u4f1a Beijing Contemporary Art Foundation<\/a>; \u848b\u7ecf\u56fd\u57fa\u91d1\u4f1a The Chiang Ching-kuo Foundation for International Scholarly Exchange. April 13, 2022.<\/li>\n<li>\u201cTrees, Forests, Phytography, Ecocriticism.\u201d Invited lecture for <span class=\"ILfuVd NA6bn UiGGAb\"><span class=\"hgKElc\">Burgos<\/span><\/span> University. March 30, 2022.<\/li>\n<li>\u201cEnvironmental Object and Sustainable Future: Trees, Forests, Phytography.\u201d Invited lecture for <span class=\"ILfuVd NA6bn UiGGAb\"><span class=\"hgKElc\">Una Europa<\/span><\/span>, OpenU Research Project, and the Complutense University of Madrid. March 15, 2022.<\/li>\n<li>\u201cTrees, Phytography, Environmental Object.\u201d Stanford-Lingnan Symposium on &#8220;Eco-Writing in an Age of (Un)Natural Crisis.&#8221; February 25-26, 2022.<\/li>\n<li>\u201cSpace, Emotion, Beijing Topography.<em>\u201d <\/em>Invited lecture at Shaanxi Normal University, Institute for Advanced Studies. Shaanxi Normal University. December 20, 2021.<\/li>\n<li>&#8220;Environmental Objects and (Post)Industrial Sentiments.\u201d Invited lecture at Washington University in St. Louis. November 18, 2021.<\/li>\n<li>\u201cSpace, Emotion, Beijing Topography.<em>\u201d <\/em>Invited Sea-Sky lecture at Dalian University of Technology. November 5, 2021.<\/li>\n<li>&#8220;Ide\u00a9ology and Environmental Things.&#8221; Invited lecture at Peking University, October 28, 2021.<\/li>\n<li>\u201cSearching the Souls of Northeast China: Multimedia Representations.\u201d Michigan State University. September 24, 2021.<\/li>\n<li>&#8220;Ide\u00a9ology: Smokestacks, Ecocriticism, and Environmental Humanities.&#8221; Invited lecture at Shaanxi Normal University, Institute for Advanced Studies. August 23, 2021.<\/li>\n<li>&#8220;Displaced City and Postmemory.&#8221; Invited lecture at Xinan Jiaotong University. July 13, 2021.<\/li>\n<li>\u201cThe Melancholia, Aporia, and Discovery of Northeast China.\u201d Virtual Conference on \u201cThe Hsia Brothers and Overseas Chinese Literary Studies,\u201d Fudan University, May 7, 2021.<\/li>\n<li>\u201cIde\u00a9ology: Ecological Ethics and Environmental Humanities.<em>\u201d <\/em>Invited Sea-Sky lecture at Dalian University of Technology.\u00a0 April 16, 2021.<em><br \/>\n<\/em><\/li>\n<li>\u201cIde\u00a9ology: Environmental Objects and Ecological Imagination.<em>\u201d <\/em>Invited lecture at Sichuan University. April 9, 2021.<\/li>\n<li>&#8220;20th Century Beijing in Mass Culture.&#8221; ClubHouse, Cineculture. April 3, 2021.<\/li>\n<li>&#8220;Talk to the Author: <em>Mapping Modern Beijing &#8211; Space, Emotion, Literary Topography.<\/em>&#8221; Invited lecture for the \u201cChinese Urban Study Author Talk Series,\u201d Chinese and Comparative Studies Association (CCSA), Webster University. January 16, 2021.<\/li>\n<li>\u201cChivalrous Psychogeography: Martial Arts, Avant-Garde, Sinophone Imagination.\u201d Invited lecture (Anthony Koo\/Kwan-Wai So Lecture endowment) at the Michigan State University. December 4, 2020.<\/li>\n<li>\u201cChinese Environmental Imagination.\u201d Invited lecture at the Complutense University of Madrid. April 2, 2020 (postponed to May 3, 2021).<\/li>\n<li>\u201cChinese Environmental Imagination.\u201d Invited lecture at the University of Burgos, Spain. April 1, 2020 (postponed to April 28, 2021).<\/li>\n<li>\u201cAshes of Time, Traces of History: Wong Kar-wai\u2019s Emotional Topography of the Martial Arts World.\u201d International conference on \u201cOn the Road: Exoticism, Foreign Lands, and World Imagination.\u201d University of Malaya, December 28-29, 2019.<\/li>\n<li>\u00a0\u201cFortune-telling Northeast China: 21-Century Literature and Film Beyond the Great Wall.\u201d Dalian University of Technology, Liaoning Normal University, and Dalian University. November 14, 2019.<\/li>\n<li>\u201cEnvironmental Object, Eco-critical Imagination, and Smokestack Metamorphosis.\u201d Invited lecture at Soochow University. October 28, 2019.<\/li>\n<li>\u201cPsychogeography, Emotionality, and Jin Yong\u2019s Chivalrous Narrativity.\u201d Keynote speech at International Conference on \u201cJin Yong and His Legacy\u201d hosted by Soochow University and the Association of Chinese Martial Arts Literature. October 26-27, 2019.<\/li>\n<li>\u201cSmokestacks, Environmental Object, and Eco-critical Imagination.\u201d Peking University. July 8-10, 2019.<\/li>\n<li>Discussant for the Panel of \u201cThe Futures Past of Cultural Studies: China and\/in the Global South\u201d for the International Conference on \u201cThe Rise and Future of Cultural Studies in China.\u201d Peking University. July 8, 2019<\/li>\n<li>\u201cDiaspora, Dislocation, and Chivalrous Imagination: King Hu and the Mind of China.\u201d Invited speaker at the conference on \u201cAfter the May Fourth Movement: C. T. Hsia, Leo Lee, Zaifu Liu, and Three Approaches to Modern Humanities.\u201d Hong Kong University of Science and Technology. May 9-10, 2019.<\/li>\n<li>\u201cShamanistic Narrative, Fragmentary Redemption: Imagining Northeast China Beyond the Great Wall.\u201d The May 4<sup>th<\/sup> @100. Harvard University. April 12-13, 2019.<\/li>\n<li>\u201cWong Kar-wai: Ashes of Time, Traces of History.\u201d Rutgers University-National Taiwan University Workshop, National Taiwan University. March 26, 2019.<\/li>\n<li>\u201cLiterary and Translation Studies.\u201d Roundtable workshop at National Taiwan University. March 25, 2019.<\/li>\n<li>Reading Club on the Chinese translation of Japanese scholar Maeda Ai\u2019s <em>Text and the City: Essays on Japanese Modernity<\/em>. Taipei, March 24, 2019.<\/li>\n<li>\u201cAncient Capital, Martial Arts World, and Situationist Psychogeography.\u201d Invited IEP (International Excellence Program) lecture at National Chengchi University, March 20, 2019.<\/li>\n<li>\u00a0\u201cMethods of Imagining Beijing.\u201d Invited lecture at National Tsing Hua University, March 19. 2019.<\/li>\n<li>\u201cSmokestacks, Structure of Feeling, and Eco-critical Aesthetics.\u201d Lingnan University, Hong Kong. March 16-17, 2019.<\/li>\n<li>\u201cManchuria, Manchukuo, and (Post)Industrial Northeast China: Non-Place, En(x)clave, and Ex(in)clusion.\u201d The May 4<sup>th<\/sup> @100. Academia Sinica, Taipei, Taiwan. December 21, 2018.<\/li>\n<li>\u201cMethods of Imagining Beijing.\u201d Invited lecture at Soochow University. September 4, 2018.<\/li>\n<li>\u201cMethods of Imagining Beijing.\u201d Invited lecture, Department of Chinese Studies, National University of Singapore. August 21, 2018.<\/li>\n<li>\u201c(Post)Loyalists, (New)Wanderers, and Chivalric Psychogeography.\u201d Invited lecture, Wan Boo Sow Research Centre for Chinese Culture, National University of Singapore. August 20, 2018.<\/li>\n<li>\u00a0\u201cSmokestacks, Structure of Feeling, and Eco-critical Aesthetics.\u201d Rutgers University-National Taiwan University Workshop, National Taiwan University. April 12, 2017.<\/li>\n<li>\u201cEileen Chang and East Asia Modernity.\u201d Invited lecture at National Taiwan University, April 11, 2017.<\/li>\n<li>\u201cFood, Flowers, and Diasporic Writings.\u201d Invited speaker at the Conference on \u201cCrossing 1949.\u201d National Central University, Nanyang Technological University in Singapore, Association of Modern Chinese Literature, Taiwan, December 26-27, 2016.<\/li>\n<li>\u00a0\u201cWarped Hometown, Emotional Topography.\u201d Invited speaker at the Conference on \u201cQing\/Emotion, Mobility and East Asian Modernity.\u201d National Tsing Hua University and National Central University, Taiwan, December 22-23, 2016.<\/li>\n<li>\u201cThreshold, Epiphany, and Zhang Ailing.\u201d Invited speaker at the International Workshop on Literary Thought in Traditional and Modern China. Rutgers University, December 3-4, 2016.<\/li>\n<li>\u201cLandscapes, Literati, and Thoughts: Lu Xun, Tsurumi Y\u016bsuke, and Beijing.\u201d International Conference on Tradition and Transformations in the Chinese Humanities in East Asian Perspective. National Taiwan University, August 24-25, 2016 (submitted paper without presence).<\/li>\n<li>\u00a0\u201cReading Jin Yong from the Worlds.\u201d Invited speaker, The 27<sup>th<\/sup> Hong Kong Book Fair. Hong Kong Exhibition Center, July 24, 2016.<\/li>\n<li>\u201cDoor, (Dis)Enchantment, and (Anti-)Direction.\u201d Invited speaker at the Conference on \u201cEileen Chang Studies.\u201d Academia Sinica, July 1-2, 2016.<\/li>\n<li>\u201cImaginary Memory, Chivalric Geography, and Sinophone Cartography.\u201d Rutgers University-National Taiwan University Workshop. Rutgers University, May 5, 2016.<\/li>\n<li>\u00a0Panel chair for the Conference on \u201cThe Teaching of Chinese Language and Culture: Theory, Practice, and Innovation.\u201d Rutgers University, April 30-May 1, 2016.<\/li>\n<li>\u201cUsher, Pilot, and Fictional Setting.\u201d Invited speaker at the Workshop on \u201cWang Anyi and Her Novel Art.\u201d Duke University, April 17, 2016.<\/li>\n<li>Invited lecture and Discussion leader for the theme \u201cDisruption\u201d and featured documentary <em>Manufactured Landscapes<\/em>. Grounds for Sculpture, Hamilton, New Jersey. March 6, 2016.<\/li>\n<li>\u00a0\u201cJin Yong, Lyrical Cartography, and the Method of Imagining China.\u201d Invited speaker at the Conference on \u201cJin Yong\u2019s Literary World of Mountains and Rivers,\u201d Chinese University of Hong Kong and Macau University, November 30-December 3, 2015.<\/li>\n<li>\u00a0\u201cTeahouse, Warped Space, and Self-Mourning.\u201d Invited speaker for a public lecture, Dartmouth College, May 14, 2015.<\/li>\n<li>\u201cThe Longest Night in Shanghai.\u201d Guest lecture in Signature Course \u201cGlobal East Asia,\u201d Rutgers University, March 26, 2015.<\/li>\n<li>\u201cImagining Beijing in Sinophone Writing.\u201d Invited speaker at Lingnan University in Hong Kong, December 12, 2014.<\/li>\n<li>\u00a0\u201cMethods of Imagining Beijing.\u201d Paper presented at the faculty workshop between Rutgers University and National Taiwan University, Rutgers University\u2013New Brunswick, April 4, 2014.<\/li>\n<li>\u201cBetween Political Dystopia and Ecological Utopia: Yan Lianke\u2019s Spatial Imageries.\u201d Invited speaker at the Third Forum of Sinophone Literature. Taipei, October 15-20, 2013.<\/li>\n<li>\u201cTeahouse, Warped Space, and Self-Mourning.\u201d Conference on \u201cVarious Aspects of Chinese Studies in the Global Age,\u201d Rutgers University\u2013New Brunswick, June 21-23, 2013.<\/li>\n<li>\u201cDark Room, Solitary Lamp, Empty City, and Inner Illumination: Lu Xun, Tsurumi Y\u016bsuke, Beijing and Beyond.\u201d Invited speaker at the Conference on \u201cLu Xun and East Asia.\u201d Harvard University, April 5-6, 2013.<\/li>\n<li>\u201cAffective Mapping of Modern Beijing.\u201d Workshop of \u201cAffective Mapping of Chinese Cities.\u201d Rutgers University\u2013New Brunswick, November 16, 2012.<\/li>\n<li>\u201cFictional History, Historical Fiction, and Imagined Geography: Jin Yong\u2019s Chivalric Topography.\u201d Conference on \u201cThe Interaction of Literature, History and Thought: Revisiting the \u2018Trinity\u2019 in Chinese Scholarship.\u201d Rutgers University\u2013New Brunswick, November 9-11, 2012.<\/li>\n<li>\u00a0\u201cAffective Mapping of Wartime Beijing.\u201d Invited speaker at the Conference \u201cWar, Violence, and Their Aftermath: Historical Memory, Literary Imagination, and Cultural Regeneration.\u201d Washington University in St. Louis, April 6-7, 2012.<\/li>\n<li>\u201cTeahouse, Warped Space, and the Implosion in Urban Darkness.\u201d Paper presented at the Annual Meeting of the Association of Asian Studies, Toronto, March 15-18, 2012.<\/li>\n<li>\u201cEmotional Topography, Food Memory, and Bittersweet Aftertaste.\u201d Conference on \u201cLegacies of Taste: An International Conference on Food Narratives in China.\u201d University of Hong Kong, December 15-17, 2011.<\/li>\n<li>\u201cThe Pleasures and Pitfalls of Performing Ide\u00a9ology.\u201d American Comparative Literature (X) Workshop, Penn State University, September 29-October 1, 2011.<\/li>\n<li>\u201cContemporary Chinese Life.\u201d Invited speaker at China Behind the Headlines: An Interdisciplinary Summer Institute for K-12 Educators. Rutgers University\u2013New Brunswick, July 18, 2011.<\/li>\n<li>\u201cIde\u00a9ology and the Socialist Production of Space: The Metamorphosis of Dragon Beard Ditch.\u201d Panelist and organizer of symposium \u201cChinese Ecocriticism,\u201d Rutgers University\u2013New Brunswick, April 21, 2011.<\/li>\n<li>\u201cAllergy, Eulogy, and Ecocritical Poetics: Lin Huiyin and Modern Beijing.\u201d Annual Meeting of NeMLA, Rutgers University\u2013New Brunswick, April 9, 2011.<\/li>\n<li>\u201cDragon Beard Ditch, Ideological Hygiene, and the Production of Socialist Space.\u201d Annual Meeting of the Association of Asian Studies, Hawaii, March 31-April 3, 2011.<\/li>\n<li>\u00a0\u201cHong Kong Fantasy, Beijing Image, and Jin Yong\u2019s Chivalric Geography.\u201d Invited speaker at the Conference \u201cHong Kong: Urban Imagination and Cultural Memory.\u201d Chinese University of Hong Kong and Hong Kong Institute of Education, December 17-18, 2010.<\/li>\n<li>\u00a0\u201cRickshaw Boy, Bicycle Kids, and the Topography of Urban Desires.\u201d Faculty Seminar, Rutgers University\u2013New Brunswick, November 17, 2010.<\/li>\n<li>\u201cFrom Rickshaw Boy to Bicycle Kids: Chronotopic Dis\/Enchantment and Cinematic Cartography of Urban Desire.\u201d International Conference &#8220;Space and Time in Chinese Cinema.&#8221; University of California at Davis, November 5-6, 2010.<\/li>\n<li>\u201cCulinary Aesthetics, Idle Talk, and Liang Shiqiu\u2019s Cottager Essays.\u201d International Symposium on Chinese Classics and Thought. Rutgers University\u2013New Brunswick, June 28-29, 2010.<\/li>\n<li>Organizer and moderator of symposium \u201cShanghai and the World Expo 2010.\u201d Rutgers University\u2013New Brunswick, April 28, 2010.<\/li>\n<li>\u201cMan, Machine, and the Mapping of an Urban (Dis)Enchantment: Ling Zifeng, Lao She, and a Rickshaw Puller\u2019s Dream-Waking Irony.\u201d Invited speaker at the Symposium \u201cChina through the Modern Lens.\u201d Smith College, March 5-6, 2010.<\/li>\n<li>\u201cEnvisioning the Other: Mutual Imaginations in American and Chinese Films.\u201d Conference \u201cEvolving U.S.-China Relations: Retrospect and Prospects (A Conference in Celebration of the 30th Anniversary of Their Diplomatic Ties).\u201d Panelist and conference co-organizer. Rutgers University \u2013 New Brunswick, November 12, 2009.<\/li>\n<li>\u201cPerforming Pleasure: Lin Yutang and His Configuration of the Ideal-Type City.\u201d Conference \u201cEast Asian Confucianisms: Interactions and Innovations.\u201d Rutgers University\u2013New Brunswick, May 1-2, 2009.<\/li>\n<li>\u201cZhang Henshui, Alternative May Fourth Youth, and Beijing Romance.\u201d Conference \u201cThe May Fourth Movement and Modern Chinese Literature.\u201d Peking University, April 23-25, 2009.<\/li>\n<li>\u201cUnfolding the Forbidden City: Princess Der Ling, Victor Segalen, and the Disclosure of \u2018the Within\u2019.\u201d Conference \u201cUrban Life in China from the 15h to the 20th Century.\u201d \u00c9cole Fran\u00e7aise d\u2019Extr\u00eame\u2013Orient (EFEO) in Paris, December 4-6, 2008.<\/li>\n<li>\u201cRe-Imaging Beijing: From Ancient Capital to Olympic City.\u201d Conference \u201cBeijing and the Olympics 2008: Social, Economic, Cultural, and Urban Transformations in the 21<sup>st<\/sup> Century.\u201d\u00a0Rutgers University\u2013New Brunswick, May 1, 2008.<\/li>\n<li>\u201cImagining Beijing in Sinophone Writing: Food, Flowers, and Diasporic Memory.\u201d Invited speaker at Georgetown University, March 19, 2008.<\/li>\n<li>Panel chair and discussant, \u201cSelf and Society: Perspectives on Chinese Cultural Studies.\u201d The Seventh International Junior Scholars\u2019 Conference on Sinology. Swarthmore College, March 7-9, 2008.<\/li>\n<li>\u201cFood, Flowers, and Diasporic Memory: Imagining Beijing in Sinophone Writing.\u201d Invited speaker at Rutgers University-New Brunswick, February 21, 2008.<\/li>\n<li>\u201cImagining Beijing in Sinophone Writing.\u201d Conference \u201cGlobalizing Modern Chinese Literature: Sinophone and Diasporic Writings.\u201d Harvard University, December 6-8, 2007.<\/li>\n<li>\u201cZhang Yimou, Yu Hua, and the Film <em>To Live<\/em>.\u201d Invited speaker at the \u201cWorld Film Forum.\u201d West Lafayette Public Library, November 7, 2007.<\/li>\n<li>\u201cViews from Near and Afar: Lin Yutang, Princess Der Ling, Victor Segalen, and Beijing Narratives.\u201d Faculty Colloquium at Purdue University, April 10, 2007.<\/li>\n<li>\u201cLoquacious Gaps and Silences: Reconstructions of Cultural Identity during and after the War of Resistance.\u201d Panel discussant, Annual Meeting of the Association of Asian Studies. Boston, March 22, 2007.<\/li>\n<li>\u201cLin Huiyin, a Female Writer and Architect in the Era of Transformation of Modern Beijing.\u201d Invited speaker at Wellesley College, March 15, 2007.<\/li>\n<li>\u201cGlobalization, Localization, and McDonald\u2019s in Beijing.\u201d Invited speaker at Thayer Seminar, Purdue University, March 5, 2007.<\/li>\n<li>\u201cNationalist Sentiments, Chivalric Romances, and Jin Yong\u2019s Martial Arts Fiction.\u201d Invited speaker at Purdue University, February 11, 2007.<\/li>\n<li>\u201cThe Image of Xi\u2019an City in Lin Yutang\u2019s <em>The Vermillion Gate<\/em>.\u201d Conference \u201cXi\u2019an: Historical Memory and Urban Culture.\u201d Shaanxi Normal University, November 2-3, 2006.<\/li>\n<li>\u201cStream of Consciousness, Modernist Sketch, and Urban Planning of Beijing.\u201d Invited speaker at the University of Oregon, April 28, 2006.<\/li>\n<li>\u201cThe Poetics and Politics of Urban Objects: Lin Huiyin and Modern Beijing.\u201d Invited speaker at Gettysburg College, February 6, 2006.<\/li>\n<li>\u201cThe Poetics and Politics of Urban Objects: Lin Huiyin and Modern Beijing.\u201d Invited speaker at Purdue University, January 26, 2006.<\/li>\n<li>\u00a0\u201cBeijing Modern: A Literary and Cultural Topography, 1900s-1950s.\u201d Invited speaker at the University of Oregon. November 12, 2005.<\/li>\n<li>\u201cThe Hsia Brothers and Chinese Popular Literature.\u201d Conference \u201cThe Hsia Brothers and Chinese Literature.\u201d Columbia University, October 28-29, 2005.<\/li>\n<li>\u201cMethods of Imagining Modern China.\u201d Invited speaker at the University of North Dakota, April 12, 2005.<\/li>\n<li>\u00a0\u201cThe Poetics and Politics of Daily Objects: Lin Huiyin and Modern Beijing.\u201d Invited speaker at Bryn Mawr College. February 3, 2005.<\/li>\n<li>\u201cViews from Near and Afar: Lin Yutang, Princess Der Ling, Victor Segalen and Beijing Narratives.\u201d Invited speaker at Rutgers University-New Brunswick, January 25, 2005.<\/li>\n<li>\u00a0\u201cLiterary Sensibility, Spatial Imagination, and Urban Planning of Modern Beijing.\u201d Invited speaker at Wesleyan University, February 6, 2004.<\/li>\n<li>\u00a0\u201cViews from Near and Afar: Lin Yutang, Princess Der Ling, Victor Segalen and Beijing Narratives.\u201d Conference \u201cBeijing: <em>Urban Imagination and Cultural Memory<\/em>.\u201d Peking University, October 22-24, 2003.<\/li>\n<li>\u201cChinese Martial Arts Film.\u201d Invited speaker at Columbia University, July 6, 2003.<\/li>\n<li>\u201c\u2018Poetic Thinking\u2019, Literary Perception, and Urban Imagination: Lin Huiyin and Modern Beijing.\u201d Conference \u201cPoetic Thought and Hermeneutics in China: A Cross-Cultural Perspective.\u201d Yale University, May 1-4, 2003.<\/li>\n<li>\u201cThe Poetics and Politics of Daily Objects: Lin Huiyin and Modern Beijing.\u201d Invited speaker at the University of Colorado at Boulder, February 7, 2003.<\/li>\n<li>\u201cLiterature, Architecture, and Urban Imagination: Lin Huiyin and Modern Beijing.\u201d Invited speaker at the University of California at Santa Barbara, January 27, 2003.<\/li>\n<li>\u201cMemories of Holocausts: Between Philosophical Reflections and Melodramatic Representations.\u201d Conference \u201cBeginning of the New Century: Comparative Literature in a Cross-Cultural Context.\u201d Nanjing University, August 15-17, 2002.<\/li>\n<li>\u201cGeopolitical Imagination, Martial Arts-Medicine-Technology, and Tsui Hark\u2019s Wong Fei-hung Series.\u201d Conference \u201cChinese Popular Culture in the 20<sup>th<\/sup> Century.\u201d Columbia University, March 26-28, 2001.<\/li>\n<li>\u201c\u2018Imagined Memories\u2019, Generic Differences, and Jin Yong\u2019s Fiction.\u201d Conference \u201cJin Yong\u2019s Fiction and Chinese Literature in the 20<sup>th<\/sup> Century.\u201d Peking University, November 2-4, 2000.<\/li>\n<li>\u201cBody Imagination in Late Qing Chivalric and Court-Case Fiction: Reading of <em>Three Knights-errant and Five Brothers<\/em>.\u201d Conference \u201cLate Ming and Late Qing.\u201d Peking University, August 14-16, 2000.<\/li>\n<li>\u201cLiterary Modernity in the Post Mao Era,\u201d panel moderator and discussant, Columbia Graduate Student Conference, New York, February 6, 2000.<\/li>\n<li>\u201c\u2018Gufeng\u2019 in <em>The Song of Poetry<\/em>,\u201d Columbia Graduate Student Conference, New York, February 5, 2000.<\/li>\n<li>\u201cNation-state, Individual Identity, and Historical Memory.\u201d Conference \u201cJin Yong\u2019s Fiction and Chinese Literature in the 20<sup>th<\/sup> Century.\u201d University of Colorado, Boulder, May 17-19, 1998.<\/li>\n<li>\u201cMaoCraze and the Question of Nostalgia in 1990s China.\u201d Invited speaker at Tsinghua University, March 9, 1998.<\/li>\n<li>\u201cLocal or Global: Cultural Identities in the Multicultural Contexts.\u201d Conference \u201cCultural Dialogue and Misreading.\u201d Peking University, October 9-11, 1995.<\/li>\n<li>\u201cIdentity Crisis and the Politics of Representation in Chinese American Literature.\u201d Conference \u201cCultural Studies: China and the West.\u201d Dalian Foreign Languages University, August 6-10, 1995.<\/li>\n<\/ul>\n<p><strong>Participation in Organizing or Chairing Conferences and Workshops<\/strong><\/p>\n<ul>\n<li>Co-organizer (with David Der-wei Wang \u738b\u5fb7\u5a01) of a bilingual forum &#8220;Moses on the Plain: Shuang Xuetao and New Donbei Literature&#8221; \u5e73\u539f\u4e0a\u7684\u6469\u897f\uff1a\u53cc\u96ea\u6d9b\u4e0e\u65b0\u4e1c\u5317\u6587\u5b66 (with Shuang Xuetao \u53cc\u96ea\u6d9b, Jeremy Tiang \u7a0b\u5f02, Carlos Rojas \u7f57\u9e4f, Xuexin Zhang \u5f20\u5b66\u6615, Eric Abrahamsen \u9676\u5efa, and Brian Lax) co-sponsored by Harvard Fairbank Center, Rutgers Asian Languages and Cultures, Rutgers Center for Chinese Studies, Chiang Ching-kuo Foundation, and Beijing Contemporary Art Foundation. April 13, 2022.<\/li>\n<li>Chair and discussant of a panel \u201cTravel Writing\u201d for the conference on \u201cExoticism, Foreign Lands, and World Imagination.\u201d National Tsing Hua University, December 27, 2018.<\/li>\n<li>Co-organizer (with Xiaojue Wang) of the International Workshop on \u201cSinoglossic Narrative in Modern Chinese and Comparative Literature.\u201d Rutgers University\u2013 New Brunswick, November 9, 2018.<\/li>\n<li>Co-organizer of the International Workshop on \u201cLiterary Thought in Traditional and Modern China.\u201d Rutgers University\u2013 New Brunswick, December 3-4, 2016.<\/li>\n<li>Discussion leader for the theme \u201cDisruption\u201d and featured documentary <em>Manufactured Landscapes<\/em>. Grounds for Sculpture, Hamilton, New Jersey. March 6, 2016.<\/li>\n<li>Organizer of a workshop on \u201cSinophone Urban Emotions.\u201d Rutgers University \u2013 New Brunswick, April 10, 2015.<\/li>\n<li>Chair of a panel \u201cChina in Focus: Women, Gender Politics and Transformation\u201d for a conference in honor of Professor Montague Kern, Rutgers University &#8211; New Brunswick, October 30, 2013.<\/li>\n<li>Organizer of a workshop on \u201cAffective Mapping of Chinese Cities,\u201d Rutgers University \u2013 New Brunswick, November 16, 2012.<\/li>\n<li>Organizer, \u201cThe Pleasures and Pitfalls of Performing Politics in (Post) Cold War China,\u201d Panel No. 131, at the Annual Meeting of the Association for Asian Studies, Toronto, March 15-18, 2012.<\/li>\n<li>Organizer of a symposium on \u201cChinese Ecocriticism,\u201d Rutgers University, April 21, 2011.<\/li>\n<li>Organizer and moderator of Symposium \u201cShanghai and the World Expo 2010.\u201d Rutgers University \u2013 New Brunswick, April 28, 2010.<\/li>\n<li>Co-organizer, \u201cEvolving U.S.-China Relations: Retrospect and Prospects,\u201d A Conference in Celebration of the 30th Anniversary of Their Diplomatic Ties, Rutgers University, November 12, 2009.<\/li>\n<li>Co-organizer, \u201cSelf and Society: Perspectives on Chinese Cultural Studies,\u201d The Seventh International Junior Scholars\u2019 Conference on Sinology, Swarthmore College, March 7-9, 2008.<\/li>\n<li>Assistant Organizer of international conference \u201cTaiwan Under Japanese Colonial Rule, 1895-1945: History, Culture, Memory\u201d at Columbia University (Organizers: Professors David Der-wei Wang, Ping-hui Liao, and Madeline Zelin), March 2002.<\/li>\n<li>Co-organizer of international conference on \u201cChinese Popular Culture Unveiled\u201d at Columbia University (with Professors David Der-wei Wang and Carlos Rojas), April 8-10, 2001.<\/li>\n<li>Assistant Organizer of international conference \u201cWoman History: New Directions\u201d at Columbia University (Organizer: Professor Dorothy Ko), March 2001.<\/li>\n<li>Assistant Organizer, the international conference \u201cThe Late Ming and the Late Qing: Historical Dynamics and Cultural Innovations\u201d at Peking University (Organizers: Professors Chen Pingyuan, David Der-wei Wang, and Wei Shang) August 2000.<\/li>\n<li>Member, the program \u201cModern and Contemporary Chinese Popular Cultural Studies\u201d organized by Peking University and Duke University, sponsored by Luce Foundation in America, 1996-1998.<\/li>\n<li>Member, National Project \u201cChinese Literature in World Cultural Contexts\u201d sponsored by National Commission of Education, P. R. China, 1992-1997.<\/li>\n<\/ul>\n<p><strong>Membership on Editorial Boards<\/strong><\/p>\n<ul>\n<li>International Advisory Board Member, Routledge Book Series of &#8220;Interdisciplinary and Transcultural Approaches to Chinese Literature&#8221;<\/li>\n<li>International Advisory Board Member, the journal of <em>Contemporary Literary Criticism<\/em><\/li>\n<li>International Advisory Board Member, <em>Journal of Literary Writing and Evaluation<\/em><\/li>\n<li>International Advisory Board Member, the journal of <em>International Communication Studies in Literature and Art<\/em><\/li>\n<li>International Advisory Board Member, Beijing Cultural Studies Research Base (Beijing Municipal Education Commission; Beijing Municipal Office of Social Science Planning; Beijing Normal University)<\/li>\n<li>Editorial Collective, \u201cStudies of Culture and Society\u201d Book Series (in Chinese) published by Oxford University Press (Hong Kong) and Central Compilation and Translation Press (Beijing).<\/li>\n<li>Editorial Board Member, <em>Chinese Literary Classics Made Easy Book Series<\/em>, published by China National Publishers, Inc.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Interests Modern Chinese Literature and Film Comparative Literature Urban Studies popular culture Environmental Humanities Sinophone and Diaspora Studies Education Ph.D. in Modern Chinese Literature and Culture, May 2006, Columbia &hellip; <a href=\"https:\/\/sites.rutgers.edu\/weijie-song\/research\/\" class=\"\">Read More<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-custom.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Research - Weijie Song<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.rutgers.edu\/weijie-song\/research\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Research - Weijie Song\" \/>\n<meta property=\"og:description\" content=\"&nbsp; 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