{"id":2693,"date":"2022-06-13T19:45:28","date_gmt":"2022-06-13T19:45:28","guid":{"rendered":"https:\/\/sites.rutgers.edu\/writers-house-review\/?page_id=2693"},"modified":"2025-11-10T15:31:47","modified_gmt":"2025-11-10T15:31:47","slug":"vol-3-winter-2022-23","status":"publish","type":"page","link":"https:\/\/sites.rutgers.edu\/writers-house-review\/vol-3-winter-2022-23\/","title":{"rendered":"Vol. 3 \/ Winter 2022-2023"},"content":{"rendered":"

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Welcome to\u00a0WHR<\/em> Vol. 3, featuring Poetry<\/strong><\/a>, Fiction,<\/a> Nonfiction & Playwriting<\/a>,<\/strong><\/span> and Short Films<\/strong><\/a> <\/span>by Rutgers University Writers House students.<\/span><\/h3>\n

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Fiction:<\/em><\/strong><\/span><\/h3>\n
\n
Catherine Schoenfeld<\/em> \/ The Harp<\/a><\/h5>\n
<\/h5>\n

 <\/p>\n

Lauren Struble<\/span><\/span><\/em> \/ Drowning\u00a0<\/a><\/h5>\n

 <\/p>\n

Josh Yoon<\/em> \/ The Haircut<\/a><\/h5>\n

 <\/p>\n

Ana Geraldes \/<\/em> That Which I Did Not Know<\/a>
\n<\/em><\/h5>\n

 <\/p>\n

Dylan Freno<\/em> \/ The Last Therapy Session of Malcolm Klyde Bippins<\/a><\/h5>\n

 <\/p>\n

Beryl Zonese \/ <\/em>Coconut<\/a><\/h5>\n

 <\/p>\n

Paul Frabizzio<\/em> \/ Young Forever<\/a><\/h5>\n

 <\/p>\n

Louis Forgione<\/em> \/ Firesale<\/a><\/h5>\n

 <\/p>\n

<\/h5>\n
August Gross \/ <\/em>Horizon<\/a><\/h5>\n

 <\/p>\n

Daniel \u201cStareye-Sama\u201d Avil\u00e9s-Espejo<\/em> \/ A Tired Night by the Traffic Light<\/a><\/h5>\n

 <\/p>\n

<\/h5>\n
Alison English<\/em>\u00a0\/ An Exchange<\/a><\/h5>\n

 <\/p>\n

<\/h5>\n
Matt diTargiani \/ <\/em>Bored in Japan<\/a><\/h5>\n

 <\/p>\n

Laila Elkabany<\/em> \/ The World On The Sea Turtle’s Back<\/a><\/h5>\n

 <\/p>\n

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Poetry:<\/em><\/strong><\/span><\/h3>\n
\n
Claire Apel<\/em> \/ 13 Ways to Look at a Girl<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Brandon Lupetti<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Isabella Yagid<\/em> \/ Two Poems<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Meghan Scheuing<\/em> \/ Three Poems<\/a><\/h5>\n

 <\/p>\n

Elaine Ku<\/em> \/ 3:52<\/a><\/h5>\n

 <\/p>\n

Ezije Efobi \/ Two Poems<\/a><\/em><\/h5>\n

 <\/p>\n

Eva Iskhakova<\/em> \/ Two Poems<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Claire Oplinger<\/em> \/ Sonata No. 1<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Sophia Silva<\/em> \/ Snapshots<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Eliza Rosenthale<\/em> \/ Lunch in Cantabria<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Teeny Chirichillo<\/em> \/ Three Poems<\/a><\/h5>\n

 <\/p>\n

Treasure Eno<\/em> \/ Two Poems<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Edward Wang <\/em>\/ Waves<\/a><\/h5>\n

 <\/p>\n

Brianna Clark<\/em> \/ Ode to My Fingers<\/a><\/h5>\n

 <\/p>\n

Francesca Dodaro<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Joseph Preziosi<\/em> \/ An Ode to Glass<\/a><\/h5>\n

 <\/p>\n

James Barry<\/em> \/ I Live in Hyperspace<\/a><\/h5>\n

 <\/p>\n

Brianna Allen<\/em> \/ Oh, to be Friendly<\/a><\/h5>\n

 <\/p>\n

Lauren Bromberg \/ <\/em>Three Poems<\/a><\/h5>\n

 <\/p>\n

Emilyn Polanco<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Yazmin Omana<\/em> \/ H’s Homage<\/a><\/h5>\n

 <\/p>\n

Adrianna Bugliarello-Wondrich<\/em> \/ American Woman (Except It’s Really Just Me)<\/a><\/h5>\n

 <\/p>\n

Emma Scott<\/em> \/ Parking Lot Conversations<\/a><\/h5>\n

 <\/p>\n

Beryl Zonese<\/em> \/ Catch the wind<\/a><\/h5>\n

 <\/p>\n

Ishani Mhatre<\/em> \/ Four Seasons<\/a><\/h5>\n

 <\/p>\n

Marsh Caro<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Robin Hu<\/em> \/ Magic Thermometer<\/a><\/h5>\n

 <\/p>\n

Louis Forgione<\/em> \/ Joe’s House<\/a><\/h5>\n

 <\/p>\n

Justin Capra<\/em> \/ Forms of Love<\/a><\/h5>\n

 <\/p>\n

Elizabeth Nicell<\/em> \/ SWAN SONG FOR HETEROSEXUALITY<\/a><\/h5>\n

 <\/p>\n

Faith McNaughton<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Devon Borkowski<\/em> \/ Gratitudes<\/a><\/h5>\n

 <\/p>\n

Blake McGowan<\/em> \/ June 17th, 2022<\/a><\/h5>\n

 <\/p>\n

Ramsha Syed<\/em> \/ VCR<\/a><\/h5>\n

 <\/p>\n

Sofia Pasqua<\/em> \/ Three Poems<\/a><\/h5>\n

\u00a0<\/strong><\/p>\n

Ridah Najaf<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Matthew Carrascoso<\/em> \/ Two Poems<\/a><\/h5>\n

 <\/p>\n

Meredith MacLean<\/em> \/ haikus (or morning prayers).<\/a><\/h5>\n

 <\/p>\n

Ayana Tapper<\/em> \/ Without Summer Rain(bows)<\/a><\/h5>\n

 <\/p>\n

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Nonfiction:<\/em><\/strong><\/span><\/h3>\n
\n
Cami Tortajada \/ Hope<\/a><\/em><\/h5>\n

\u00a0<\/span><\/span><\/p>\n

Lauren Bromberg <\/em>\/ How to be a (Kindergarten Boys) Camp Counselor<\/a><\/h5>\n

 <\/p>\n

Miriam Kim \/<\/em> Death of a YouTuber<\/a><\/h5>\n

 <\/p>\n

Annie Zhang \/ <\/em>All the Customers I Remember from My Family Restaurant<\/a><\/h5>\n

 <\/p>\n

Roberto Hernandez<\/em> \/ The Monster and the Man\u00a0<\/a><\/h5>\n

 <\/p>\n

Ronan Tomaselli \/ <\/em>A Series of Photos from When I Was a Girl<\/a><\/h5>\n

 <\/p>\n

Maria Zhang \/ <\/em>Quintessentially Winchester<\/a>
\n<\/em><\/h5>\n

 <\/p>\n

Ian Leonhardt<\/em> \/ Attention<\/a><\/h5>\n

 <\/p>\n

Louis Forgione \/ <\/em>These Walls<\/a><\/h5>\n

 <\/p>\n

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Playwriting:<\/em><\/strong><\/span><\/h3>\n
\n
em savarese \/<\/em> what is it like to be enough?<\/a>
\n<\/em><\/h5>\n

 <\/p>\n

Isobel Ali<\/em> \/ Mum Season<\/a><\/h5>\n

 <\/p>\n

Calah McCombs<\/em> \/ AT THE BALLET<\/a><\/h5>\n

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Short Films:<\/em><\/strong><\/span><\/h3>\n
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Maya Stokley<\/em> \/ Are We Living In “Heathers”?<\/a><\/h5>\n