The transformation of Chinese music into American music in the early twentieth century
The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities
Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown’s sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
Cover Art Design by Jacqueline Thaw
Humanities and Cultural Studies Prize – Association of Asian American Studies
Lowens Book Award – Society for American Music
Music in American Culture Prize – American Musicological Society
Citation of Merit – Association for Recorded Sound Collections
Chinese translation 跨洋的粵劇 (Shanghai Conservatory Press and Guangxi Normal University Press, 2021)