Skip to main content

Wordsmiths in Alcohol Studies

| By | Alcohol History,Notable People,Resources

Following up on the previous post about Humor in Alcohol Studies, let’s take a closer look at a few more language-related examples left behind by the two major figures, who defined alcohol studies, E. M. Jellinek and Mark Keller.

Language as the Source of Humor

In his unpublished amusing piece, The evolution of English spelling, Jellinek, talented in many languages, has fun mocking English orthography, especially the letter-to-sound correspondences, from the perspective of a native speaker of Hungarian, a language with highly consistent correspondences between the written symbols and significant spoken sounds. Non-native speakers of English out there, who had to learn basically TWO words for one (one for writing, one for speaking): you will be delighted to share the pain through his humor. (Click on the image to enlarge and read the short excerpt.)

Another fun reading is Jellinek’s unpublished biographical dictionary, Who was who in Greek mythology, which rephrases classical legends in contemporary language. The text is pure delight to read and decipher for any mythology fan, as detailed earlier in Bunky’s Pantheon. Well aware of Jellinek’s mysterious life, the author of the previous post can’t help speculating whether jumping from Greek to Roman mythology mirrors the ease with what he changes identities, careers, names, and more.

What can we expect from a genius who had multiple alter egos and named his lifelong ulcer “Hyeronimus?”

Note: the full text of both of these masterpieces are available from RUcore as part of the Rutgers Digital Alcohol Studies Collection.

Nonsense verses

What’s a “poem” doing in a scholarly publication? Jellinek was famous for his talent of grasping the essence of any issue, such as the lack of breaks at the Worcester State Hospital, where he worked as a biostatistician. When state employees were mandated to account for every minute spent away from their desk, Jellinek posted two of his nonsense verses on the department’s bulletin board. His efforts were unequivocally welcomed, especially by female staff. The message to management was so powerful that both made it to an article detailing the research there!

Very few of Keller’s nonsense verses survived, but there’s anecdotal evidence that he was just as a great wordcrafter as Jellinek in poetry as well. Once they had a contest among the staff to write a gift card message when another researcher, Hedda Bolgar was leaving to marry a Swedish count. Keller wrote his very first limerick, and won, although Jellinek pronounced it best, with his thick Hungarian accent, according to popular opinion. (Note: I tried, it works!)

The Editor’s Smirk

Who knew that reading the text in fading ink on yellowish paper can be so much fun? For the second and third time too!

Just like Jellinek was able to sneak in cameos of himself and his colleagues in the WHO cartoon To Your Health, Keller, the long-time editor of the JSA, ambushed the unsuspecting audience when he gave a hilarious speech here at Rutgers in 1979, at the celebration of the 1978 Mark Keller Award, presented to the best authors of the Journal.

Published later as De mentis editorus (“About the editor’s mind,” for those who missed high school Latin), Keller’s article is a satire mocking the practices of scholarly publishing. Looking at papers submitted for publication from the journal’s perspective, he educates the audience by giving advice to all “who would like to be infallibly successful science authors.” Going through the motions from selecting a journal to publish to articles presenting negative results to pesky reviewer, although double-spacing is out of fashion, 55 years later Keller’s words still stand: you must learn to think like an editor! You want to get published? Mark Keller’s wisdom is for the win!

References